It's easy to play a solo over a great rhythm section, but what do you do when it's someone else's turn to solo? A good rhythm player can lock in with the bass and drums and really drive the whole band. In blues, the feel of the song is the most important element. A good place to start with a good blues song is a very simple chord progression, or even one chord. Boogie rhythms are great for this!
A boogie rhythm is a particular type of blues shuffle that uses rests and percussive strumming on the beat to help drive the rhythm along. Boogie songs often stay on one chord rather than following a 12 bar blues pattern. John Lee Hooker, Canned Heat and ZZ Top are masters of this art.
Boogie Rhythm & Blues Shuffle Exercise 1
Try this repeating one measure boogie pattern with bass notes on beats 3 and 4. It's a favorite of John Lee Hooker and Magic Sam. You can either use a pick or play it fingerstyle. Notice the use of percussive strums in place of rests are represented by an X. To play a percussive strum, leave the left hand lightly touching the strings as you strike the strings with the right hand.
Boogie Rhythm & Blues Shuffle Exercise 2
Here's a slight variation. This time a two measure pattern with bass notes on beats 3 and 4 of the second measure. This type of pattern is also a feature of John Lee Hooker, ZZ Top and Canned Heat. Once you've memorized the notes, play the pattern for an extended period, concentrating on the feel of the music. A good boogie should become hypnotic. This is best developed using a metronome or a drum machine playing a simple shuffle beat.
Boogie Rhythm & Blues Shuffle Exercise 3
Sometimes at the end of a vocal line you might want to throw in a fill. It's important to keep the rhythm going though. This one uses notes from the A minor pentatonic scale on the higher strings.
Boogie Rhythm & Blues Shuffle Exercise 4
Finally, here's an eight measure boogie pattern using bass note variations and a fill in the last bar. Have fun with these rhythms and try making up your own variations.