Before you commence each lesson or practice session you must tune your bass. If your bass is out of tune everything you play will sound incorrect even though you are holding the correct notes. If you want to play along with the recording your bass must be tuned to 'concert pitch'. This is a standard tuning that all musicians tune to so that they can play 'in concert' with each other. It is possible for a bass to be in tune with itself (e.g., you play a scale and it sounds in tune) but out of tune with a piano which would be tuned to concert pitch. Written on the following page is a method of tuning which all bass players must know, i.e., tuning the bass to itself. This tuning method is essential to know because when tuning to concert pitch you may only be given one note (usually the open third string A) so you have to know how to tune the other strings to this note.
This method involves finding notes of the same pitch on different strings. The diagram that follows outlines the notes used:
One of the easiest ways to practice tuning is to actually start with the bass in tune and then detune one string. When you do this, always take the string down in pitch (i.e., loosen it) as it is easier to tune "up" to a given note rather than "down" to it. As an example, detune the second string (D). If you play a riff or scale now, the bass will sound out of tune, even though only one string has been altered (so remember that if your bass is out of tune it may only be one string at fault.)
Following the correct method, you must tune the second string against the D note at the fifth fret of the third string. Play the note loudly, and listen carefully to the sound produced. This will help you retain the correct pitch in your mind when tuning the next string. Now that you have listened carefully to the note that you want, the D string must be tuned to it. Pick the D string, and turn its tuning key at the same time, and you will hear the pitch of the string change (it will become higher as the tuning key tightens the string). It is important to follow this procedure so that you hear the sound of the string at all times, as it tightens. You should also constantly refer back to the correct sound that is required (i.e., the D note on the fifth fret of the third string).