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GLOSSARY OF MUSICAL TERMS

Lesson 2/151 | Study Time: 5 Min
GLOSSARY OF MUSICAL TERMS

Accidental — a sign used to show a temporary change in pitch of a note (i.e., sharp #, flat b, double sharp !, double flat bb, or natural @). The sharps or flats in a key signature are not regarded as accidentals.

Additional notes — a note not belonging to a given scale, but can be used for improvising against most chords in a progression without sounding out of key.

Ad lib — to be played at the performer’s own discretion.

Allegretto — moderately fast.

Allegro — fast and lively.

Andante — an easy walking pace.

Arpeggio — the playing of a chord in single note fashion.

Bar — a division of music occurring between two bar lines (also called a "measure").

Bar chord — a chord played with one finger lying across all six strings.

Bar line — a vertical line drawn across the staff which divides the music into equal sections called bars.

Bass — the lower regions of pitch in general. On keyboard, the notes to the left of the keyboard.

Chord — a combination of three or more different notes played together.

Chord progression — a series of chords played as a musical unit (e.g., as in a song).

Clef — a sign placed at the beginning of each staff of music which fixes the location of a particular note on the staff, and hence the location of all other notes.

Coda — an ending section of music, represented by the sign v

Common time — and indication of * time — four quarter note beats per bar (also indicated by Q)

D.C. al fine — a repeat from the sign (indicated thus V) to the word "fine".

Duration — the time value of each note.

Dynamics — the varying degrees of softness (indicated by the term "piano") and loudness (indicated by the term "forte") in music.

Eighth note — a note with the value of half a beat in * time, indicated thus 5 (also called a quaver).

Eighth rest — indicating half a beat of silence is written: j

Fermata — a sign, ? , used to indicate that a note or chord is held to the player’s own discretion (also called a "pause sign").

Flat — a sign, (b) used to lower the pitch of a note by one semitone.

Forte — loud. Indicated by the sign f

Half note — a note with the value of two beats in * time, indicated thus: 1 (also called a minim).

Half rest, indicating two beats of silence, is written:g on the third staff line.

Harmony — the simultaneous sounding of two or more different notes.

Interval — the distance between any two notes of different pitches.

Key — describes the notes used in a composition in regards to the major or minor scale from which they are taken, e.g., a piece "in the key of C major" describes the melody, chords, etc., as predominantly consisting of the notes, C, D, E, F, G, A, and B — i.e., from the C scale.

Key signature — a sign, placed at the beginning of each staff of music, directly after the clef, to indicate the key of a piece. The sign consists of a certain number of sharps or flats, which represent the sharps or flats found in the scale of the piece’s key.

Ledger lines — small horizontal lines upon which notes are written when their pitch is either above or below the range of the staff.

Legato — smoothly, well connected.

Lick — a short musical phrase.

Major scale — a series of eight notes in alphabetical order based on the interval sequence tone - tone - semitone - tone - tone - tone - semitone, giving the familiar sound do re mi fa so la ti do.

Melody — a succession of notes of varying pitch and duration, and having a recognizable musical shape.

Metronome — a device which indicates the number of beats per minute, and which can be adjusted in accordance to the desired tempo.

Moderato — at a moderate pace.

Modulation — the changing of key within a song (or chord progression).

Natural — a sign (@) used to cancel out the effect of a sharp or flat. The word is also used to describe the notes A, B, C, D, E, F and G, e.g., "the natural notes".

Note — a single sound with a given pitch and duration.

Octave — the distance between any given note with a set frequency, and another note with exactly double that frequency. Both notes will have the same letter name.

Open voicing — a chord that has the notes spread out between both hands on the keyboard

Pitch — the sound produced by a note, determined by the frequency of the string vibrations. The pitch relates to a note being referred to as "high" or "low".

Plectrum — a small object (often of a triangular shape) made of plastic which is used to pick or strum the strings of a guitar, bass, mandolin or banjo.

Quarter note — a note with the value of one beat in * time, indicated thus 3 (also called a crotchet).

Quarter rest:h indicating one beat of silence.

Repeat signs — used to indicate a repeat of a section of music, by means of two dots placed before a double bar line.

Rhythm — the aspect of music concerned with duration and accent of notes.

Riff — a repeating pattern which may be altered to fit chord changes.

Semitone — the smallest interval used in conventional music. On guitar, it is a distance of one fret.

Root note — the note after which a chord or scale is named (also called "key note").

Sharp — a sign (#) used to raise the pitch of a note by one semitone.

Staccato — to play short and detached, indicated by a dot placed above the note.

Staff — five parallel lines together with four spaces, upon which music is written.

Syncopation — the placing of an accent on a normally unaccented beat.

Tempo — the speed of a piece.

Tie — a curved line joining two or more notes of the same pitch, where the second note(s) is not played, but its time value is added to that of the first note.

Timbre — a quality which distinguishes a note produced on one instrument from the same note produced on any other instrument (also called "tone color"). A given note on the guitar will sound different (and therefore distinguishable) from the same note on piano, violin, flute etc. There is usually also a difference in timbre between two instruments of the same type (e.g., two pianos).

Time signature — a sign at the beginning of a piece which indicates, by means of figures, the number of beats per bar (top figure), and the type of note receiving one beat (bottom figure).

Tone — a distance of two semitones.

Transposition — the process of changing a piece of music from one key to another.

Treble — the upper regions of pitch in general.

Treble clef — a sign placed at the beginning of the staff to fix the pitch of the notes placed on it. The treble clef (also called "G clef") is placed so that the second line indicates as G note.

Peter Gelling

Peter Gelling

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Class Sessions

1- INTRODUCTION 2- Tuning Up 3- Rhythm Notation 4- Understanding Chords 5- Eighth Note Rhythms 6- Identifying Eighth Note Rhythms 7- Playing Single Notes (Picking) 8- Notes on the 4th String 9- Notes on the 6th String 10- Learning all the Notes 11- The Triplet 12- The Minor Pentatonic Scale 13- The Blues Scale 14- The Mixolydian Scale 15- Boogie Rhythms 16- Bar Chords 17- 7th Bar Chords 18- Learning the Whole Fretboard 19- Movable Shuffle Patterns 20- Turnarounds 21- Ninth Chords 22- LESSON TWENTY ONE 23- Movable Chord Shapes in Five Forms 24- Picking Technique 25- Slurs 26- The Slide 27- Bending Notes 28- The Release Bend 29- Vibrato 30- The Trail-off 31- Moving to Different Keys 32- Analyzing What You Play 33- Five Forms of the Pentatonic Scale 34- Moving Between Forms 35- More About the Blues Scale 36- Twelve Eight Time 37- Arpeggios 38- Common 16th Note Rhythms 39- The Trill 40- Swinging Sixteenth Notes 41- R&B Rhythms 42- Minor Key Sounds 43- New Orleans Rhumba 44- Eight Bar Blues 45- Swamp Sounds 46- Quarter Note Triplets 47- Intros 48- Double Guitar Effects 49- Right Hand Fingerpicking 50- Picking Notes Together 51- The Shuffle Bass 52- How to Tune Your Guitar 53- GLOSSARY OF MUSICAL TERMS 54- Tuning Your Guitar 55- The G Major Chord 56- Blues Chords 57- The 12 Bar Blues Progression 58- Alternate Strumming 59- Ties 60- Notes on the 3rd String 61- Blues in Minor Keys 62- Playing Chords Staccato 63- Sharps 64- Strumming Triplets 65- Open Position Minor Pentatonic 66- Open Position A Blues Scale 67- Open String Mixolydian Riffs 68- Notes on the Sixth String 69- Minor Bar Chords 70- Notes on the Guitar Fretboard 71- Shuffle Variations 72- Movable 7th Chord Forms 73- The Whip 74- Open String Sounds 75- Combining Scales and Arpeggios 76- The Symbol 8va 77- The Rake 78- The Seven Sharp Nine Chord 79- More New Chords 80- Slow Blues in Minor Keys 81- Sliding Ninth Chords 82- Chicago Blues Sounds 83- Jazz Style Blues 84- Endings 85- Combining Rhythm and Lead 86- Picking With Your Thumb 87- Constant Bass Style 88- Adding Extra Bass Notes 89- Acoustic Guitars 90- Strumming 91- Keys 92- Chords I IV and V in all Keys 93- Syncopation 94- Notes on the 2nd String 95- Notes on the 5th String 96- The Lead-in 97- The Chromatic Scale 98- Swing Rhythms 99- Blues Licks 100- Open Position E Blues Scale 101- Experimenting With Sounds 102- Percussive Strumming 103- The Half Bar 104- Notes in More Than One Place 105- Voicings 106- Lost in the Blues 107- Classic Blues Rhythm Patterns 108- Augmented and Diminished Chords 109- One Chord Grooves 110- Putting it all Together 111- Electric Guitars 112- The Seventh Chord 113- I IV and V as 7th Chords 114- Note and Rest Values 115- Riffs 116- Flats 117- The Shuffle 118- E Minor Pentatonic Scale 119- Root 5 Bar Chords 120- Position Playing 121- Super-imposing Chord Forms 122- Summary of Blues Scales 123- The Charleston Rhythm 124- Amplifiers 125- Slide Finger 126- Alternate Picking 127- Power Chords 128- Notes on the Fifth String 129- Unison Notes 130- Jam Along Progressions 131- Summary of Dominant 7th 132- Understanding the Control Knobs 133- Chord Progressions 134- Notes on the 1st String 135- Right Hand Damping 136- Changing Between Shapes 137- Higher and Lower Octaves of Notes 138- Listening 139- Strings 140- The C Major Chord 141- Tablature Size and Style 142- Chord Diagrams 143- The Pivot 144- Rhythm Notation 145- Scale Diagrams 146- Tablature 147- Tablature Symbols 148- How to Hold the Guitar 149- Technique 150- How to Read Music 151- Music Notation

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