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Tuning

Lesson 2/79 | Study Time: 5 Min
Tuning

Tuning

It is essential for your guitar to be in tune, so that the chords and notes you play will sound correct. The main problem with tuning for most beginning students is that the ear is not able to determine slight differences in pitch. For this reason you should seek the aid of a teacher or an experienced guitarist.

Several methods can be used to tune the guitar. These include:

  • Tuning to another musical instrument (e.g., a piano, or another guitar).
  • Tuning to pitch pipes or a tuning fork.
  • Tuning the guitar to itself.

The most common and useful of theses is the latter; tuning the guitar to itself. This method involves finding notes of the same pitch on different strings. The following diagram outlines the notes used:

The method of tuning is as follows:

1. Tune the open 6th string to either:
(a) The open 6th string of another guitar.
(b) A piano.

The piano note equivalent to the open 6th string is indicated on the diagram.

(c) Pitch pipes, which produce notes that correspond with each of the 6 open strings.

(d) A tuning fork. Most tuning forks give the note A.

To produce sound from the tuning fork, hold it by the stem and tap one of the prongs against something hard. This will set up a vibration, which can be heard clearly when the bass of the stem is then placed on a solid surface, e.g., a guitar body.

2. Place a finger on the 6th string at the 5th fret. Now play the open A (5th string). If the guitar is to be in tune, then these two notes must have the same pitch (i.e., sound the same). If they do not sound the same, the 5th string must be adjusted to match the note produced on the 6th string. Thus the 5th string is tuned in relation to the 6th string.

3. Tune the open 4th string to the note on the 5th fret of the 5th string, using the method outlined previously.

4. Tune all other strings using the same procedure, remembering that the open B string (2nd) is tuned to the 4th fret (check diagram) while all other strings are tuned to the 5th fret.

5. Strum an open E major chord, to check if your guitar is tuned correctly. At first you may have some difficulty deciding whether or not the chord sound is correct, but as your ear improves you will become more familiar with the correct sound of the chord.

Tuning may take you many months to master, and you should practice it constantly. The guidance of a teacher will be an invaluable aid in the early stages of guitar tuning.

Gary Turner and Brenton White

Gary Turner and Brenton White

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Class Sessions

1- Triplets 2- Arrangements 3- Fingerpicking Pattern Six 4- Fingerpicking Pattern Eight 5- LESSON EIGHT 6- Bass Note Runs 7- Fingerpicking Pattern Twelve 8- Fingerpicking Pattern Seven in <span class="symbolA">)</span> Time 9- The Pinch Technique 10- Fingerpicking Pattern Four 11- The Hammer-On 12- The Hammer-On 13- SECTION TWO 14- Clawhammer 15- Clawhammer - The Pinch Technique 16- 6-String Clawhammer 17- Clawhammer in <span class="symbolA">^</span> Time 18- Staccato Bass 19- Fingerpicking Pattern One 20- INTRODUCTION 21- GLOSSARY OF MUSICAL TERMS 22- Song List 23- Transposing 24- The Rudiments of Music 25- SECTION ONE 26- Tuning 27- The Slide Finger 28- SUPPLEMENTARY PIECES 29- Fingerpicking Pattern Three 30- Alternating Bass 31- Group One 32- Approach to Practice 33- Note Values 34- Step 1 Write Down the Melody 35- The Capo 36- Progression One 37- Turnarounds 38- Blues Progression 39- Combining Hammer-On and Flick-Off Techniques 40- Fingerpicking Pattern Seven 41- Turnaround in C 42- Fingerpicking Pattern Two 43- Fingerpicking Pattern Five 44- Section One Summary 45- Acoustic Guitars 46- Time Signatures 47- Group Two 48- Fingerpicking Pattern One-A 49- Step 2 Add the Root Note in the Bass 50- Fingerpicking Pattern Two-A 51- Progression Two 52- Songs 53- Seating 54- Step 3 Add a Harmony* Note to the Bass (A Middle Voice) 55- Notes in the Open Position 56- Progression Three 57- Right Hand Finger Names 58- Step 4 Add a Harmony* Note to the Bass (A Middle Voice) 59- Chromatic Notes 60- Progression Four 61- Progression Five 62- The Position of the Right Hand 63- Notes on the Guitar Fretboard 64- Step 5 Combine the Bass and Middle Voices 65- Progression Six 66- Step 6 Select a Different Bass Note 67- Tablature 68- The Freestroke 69- The Rest Stroke 70- Step 7 Syncopate the Bass 71- Progression Seven 72- Right Hand Fingernails 73- Step 8 Harmonize With Thirds: 74- Progression Eight 75- Step 9 Add a Third Harmony Above the Melody 76- Progression Nine 77- Progression Ten 78- Step 10 A Final Arrangement 79- Alternative Arranging

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