Enharmonic Notes
You may have noticed an F# note in the Blues scale in exercise 37. F# has exactly the same sound as Gb, and therefore either spelling of the note may occur in the written music. This is an example of enharmonic spelling of the same note. Here are some more examples of enharmonic notes.
This 12 Bar Blues contains examples of two blue notes and their enharmonic alternatives: b3 (Eb =D# ) and b5 (Gb =F# ). In this example the left hand plays the root and the 5th of each chord. This is a common accompaniment technique, particularly in Blues and Rock.
Class Sessions
1- Basic Chords, Rhythms and Sounds
2- Transposing
3- Using 7th Chords
4- Sixteenth Notes
5- Seventh Chords
6- Seventh Chords, Transposing, Sixteenth Note Rhythms
7- 16th Note Studies
8- Two Handed Rhythms
9- More Minor Chords
10- Eighth Note Rhythms
11- Major Chord Chart
12- Minor Chords
13- Two Handed Riffs
14- LESSON NINE
15- The Blues Scale
16- Blues Notes, Riffs, Eighth Note Rhythms and Minor Chords
17- The Major Chord
18- More on Inversions
19- Introduction
20- Chord Inversions
21- Rhythms
22- Blue Notes
23- The G Major Chord
24- The 12 Bar Blues
25- Riffs
26- Chord Numbers
27- The C Major Chord
28- Call and Response
29- G7 Chord Inversions
30- The F Major Chord
31- F Minor Chord Inversions
32- Slash Chords
33- C Major Chord Inversions
34- The C Minor Chord
35- Minor Chord Chart
36- Blues Scale Riffs
37- Enharmonic Notes
38- Seventh Chord Chart
39- The C7 Chord
40- G Minor Chord
41- C Minor Chord Inversions
42- G Major Chord Inversions
43- The D7 Chord
44- G Minor Chord Inversions
45- F Major Chord Inversions
46- The F7 Chord