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INTRODUCTION

Lesson 2/69 | Study Time: 5 Min
INTRODUCTION

This book provides a great introduction to the world of Blues guitar playing. It would be useful to have some basic knowledge of open chords before starting this book (see Progressive Beginner Guitar) but it is possible for comlete beginners to use the book. Both rhythm and lead playing are covered along with essential elements such as turnarounds, slides, note bending and vibrato. All techniques are demonstrated with authentic examples and consolidated with at least one 12 bar Blues solo. All examples sound great and are fun to play. The section on rhythm playing begins with triplets and the shuffle, which are at the heart of the Blues sound. Variations are given for both open and moveable shuffle patterns, before moving on to bar chords and a whole system for moveable 7th chord shapes. The section ends with a demonstration of how to combine two string shuffle patterns and chord shapes to back a singer or harmonica player.

The lead guitar section demonstrates all the essential sounds and techniques using a variety of licks which begin at and easy standard and gradually become more challenging. A system of moveable fingering patterns is then introduced to enable you to play over the entire range of the fretboard. Both the minor pentatonic scale and the Blues scale are used in several different keys, along with an introduction to arpeggios and how to combine them with the Blues scale. Several solos are used to consolidate all techniques learned in the course of the book. The solos cover a range of feels and styles. By the end of the book, you will be well equipped to play in a Blues band or to jam with other musicians.

To practice jamming, some extra tracks have been recorded on the CD (see page 78) which contain full band backing but no lead guitar. Practicing with these jam along tracks is a great way to improve your improvising ability and is lots of hun, especially if you don't have regular opportunities to jam with other players. To improve your skills even further it is recommended that you use a metronome or drum machine with all the examples in the book until you can play them easily from memory. You should also learn to play all the examples along with the CD. If you are serious about music, a good teacher can often help you progress much quicker than you can on your own.

Because the Blues is such a big subject for guitar players, there is a whole series of Progressive books dealing with various aspects of Blues playing in more detail than space allows here. These titles can be seen on pages 79 and 80.

Peter Gelling

Peter Gelling

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Attachments

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Class Sessions

1- Scale Degrees 2- The Slide 3- Left Hand Technique 4- Bending Notes 5- The Pentatonic Scale 6- The Release Bend 7- Vibrato 8- Moveable Chord Shapes - a System 9- Turnarounds 10- Moveable Shuffle Patterns 11- The Trail Off 12- 7th Bar Chords 13- Moving to Different Keys 14- Five Forms of the Pentatonic Scale 15- The Triplet 16- INTRODUCTION 17- The Trill 18- Arpeggios 19- The 12 Bar Blues Progression 20- Bar Chords 21- Twelve Eight Time <span class="symbolA">+</span> 22- The Shuffle 23- The Blues Scale 24- Moving Between Forms 25- The Whip 26- Enharmonic Notes 27- Ldentifying Scale Patterns 28- Open Position Blues Scale 29- Vibrato With Bent Notes 30- Chord Diagrams 31- Analyzing What You Play 32- Minor Arpeggios 33- Slight Bends 34- The Rake 35- The Ascending Slide 36- D Form (Pattern 2) 37- The Hammer-on 38- Chords I IV and V in all Keys 39- Rhythm Notation 40- Two Note Chords 41- Left Hand Technique 42- Minor Bar Chords 43- Moveable 7th Chord Forms 44- Sixteenth Notes 45- Voicings 46- Thirty Second Notes 47- Fretboard Diagrams 48- Dominant 7th Arpeggios 49- Root Six Bar Chords 50- Pentatonic Blues Solo 51- C Form (Pattern 3) 52- The Pull-off 53- The Descending Slide 54- Right Hand Damping 55- Swing Rhythms 56- A Final Solo 57- Tablature 58- Combining Scales and Arpeggios 59- The Valued Slide 60- A Form (Pattern 4) 61- Notes on the Sixth String 62- Super-imposing Chord Forms 63- G Form (Pattern 5) 64- Tablature Symbols 65- Percussive Strumming 66- Technique 67- Root 5 Bar Chords 68- Notes on the Fifth String 69- Changing Between Shapes

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