USD ($)
$
United States Dollar
Euro Member Countries
¥
China Yuan Renminbi
$
Australia Dollar
R$
Brazil Real
лв
Bulgaria Lev
$
Canada Dollar
$
Chile Peso
$
Colombia Peso
Czech Republic Koruna
£
Egyptian Pound
Ft
Hungary Forint
India Rupee
Rp
Indonesia Rupiah
Israel Shekel
¥
Japan Yen
Kazakhstani Tenge
kr
Denmark Krone
$
Hong Kong Dollar
£
United Kingdom Pound
Korea (South) Won
$
New Zealand Dollar
Russia Ruble
Viet Nam Dong
د.إ
United Arab Emirates dirham
CHF
Switzerland Franc
kr
Sweden Krona
kr
Norway Krone
$
Singapore Dollar
R
South Africa Rand
$
Mexican Peso
Turkey Lira

Flanger

Lesson 6/97 | Study Time: 5 Min
Flanger

Flanger

There are many other effects which can be used to alter the sound of the guitar. Space doesn’t allow us to cover them all, but ask other guitarists or staff at a music store to demonstrate them for you. One unit which can create a variety of sounds is the flanger. A common effect produced by a flanger is sometimes described as like a jet taking off. Play the following example with and without a flanger to hear the difference it makes.

The Three Four Time Signature

This is the three four time signature. It tells you there are three quarter note beats in each bar.

The next example demonstrates two guitar parts played along with a rhythm section in ^ time. The basic beat subdivisions (quarter notes, eighth notes, triplets and sixteenth notes) work exactly the same in ^ time as they do in * time. The notation here shows the bass and drum parts as well as the guitars. When using two guitars in a band, it is important to use different sounds for the two guitar parts, otherwise the guitar parts can sound "muddy" and become hard to distinguish from one another. In this example, it is recommended that Guitar 1 use a clean sound with a chorus effect, while Guitar 2 uses an overdriven sound. Most times, the type of part will determine the best sound to use. Guitar 2 uses notes and rhythms you haven’t learned yet so just observe this part for now. By the end of this book you will be able to play it also.

Peter Gelling

Peter Gelling

Product Designer
4.79
Profile

Class Sessions

1- Using the Whole Fretboard 2- Notes on the First String 3- The 12-Bar Blues 4- The Eighth Note 5- The Triplet 6- Notes on the Fourth String 7- Sixteenth Notes 8- Playing Two Strings Together 9- The Minor Pentatonic Scale 10- Chords 11- INTRODUCTION 12- The Half Bar 13- Rests 14- Ties And Syncopation 15- Using the Guitar Pickups 16- Minor Chords 17- The Major Scale 18- Arpeggios 19- Learning All the Notes 20- Using Guitar Effects 21- Vibrato 22- How to Read Music 23- Scale Degrees 24- Moving to Different Keys 25- Slurs 26- The Trail Off 27- Five Forms of the Pentatonic 28- The Release Bend 29- Moving Between Forms 30- Getting Your Hands Moving 31- Bending Notes 32- The Slide 33- The Trill 34- Analyzing What You Play 35- Reverb 36- C Major Scale in Open Position 37- Sliding Pattern 2 38- Electric Guitars 39- Identifying Scale Patterns 40- The Lead-in 41- The Full Bar 42- Notes on the Sixth String 43- Vibrato With Bent Notes 44- Sixteenth Note Groupings 45- Slight Bends 46- Swing Rhythms 47- Chords I IV and V in all Keys 48- Tones and Semitones 49- Right Hand Technique 50- Overdrive and Distortion 51- Alternate Picking 52- Notes on the Fifth String 53- Power Chords 54- Chord Symbols 55- Tablature 56- Rests With Chord Playing 57- Playing Two Strings With the First Finger 58- Pickup Selector Switches 59- Visualizing 60- The G Major Scale 61- Picking the Open Strings 62- Pentatonic Blues Solo 63- Notes on the Second String 64- The Shuffle 65- The Chromatic Scale 66- Delay 67- Notes on the Sixth String 68- The Symbols 8va and loco 69- Music Notation 70- Harmonizing Scales With Power Chords 71- Movable Power Chords 72- Left Hand Technique 73- Rhythm Notation 74- Riffs 75- Electric Guitar Pickups 76- Learning the Notes on the Staff 77- Jam Along Progressions 78- Amplifiers 79- Notes on the Third String 80- Left Hand Technique 81- Chorus 82- Learning the Whole Fretboard 83- Strumming 84- Keys and Key Signatures 85- The Open Position 86- Listening 87- The Open Strings of the Guitar 88- Notes on the Guitar Fretboard 89- Flanger 90- Types of Amplifiers 91- Major Chord Formations 92- More titles by LearnToPlayMusic.com 93- Understanding the Control Knobs 94- Bar Lines 95- Strings 96- Time Signatures 97- Chord Symbols

GDPR

When you visit any of our websites, it may store or retrieve information on your browser, mostly in the form of cookies. This information might be about you, your preferences or your device and is mostly used to make the site work as you expect it to. The information does not usually directly identify you, but it can give you a more personalized web experience. Because we respect your right to privacy, you can choose not to allow some types of cookies. Click on the different category headings to find out more and manage your preferences. Please note, that blocking some types of cookies may impact your experience of the site and the services we are able to offer.