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Keys and Key Signatures

Lesson 5/97 | Study Time: 5 Min
Keys and Key Signatures

Keys and Key Signatures

The key describes the note around which a piece of music is built. When a song consists of notes from a particular scale, it is said to be written in the key which has the same notes as that scale. For example, if a song contains mostly notes from the C major scale, it is said to be in the key of C major. If a song contains mostly notes from the F major scale, it is said to be in the key of F major. If a song contains mostly notes from the G major scale, it is said to be in the key of G major. When playing in any major key other than C, the key will contain at least one sharp or flat, and possibly as many as six.

Instead of writing these sharps or flats before each note as they occur, they are usually written at the beginning of the song just before the time signature. These sharps or flats are called a key signature. The sharps or flats in the key signature are the same as the sharps or flats in the corresponding major scale. The major scales and key signatures for the keys of F and G are shown in the following diagram. Without sharps and flats, these scales would not contain the correct pattern of tones and semitones and would therefore not sound like a major

G Major Scale

Key Signature of G Major

The G major scale contains one sharp, F#, therefore the key signature for the key of G major contains one sharp, F#.

F Major Scale

Key Signature of F Major

The F major scale contains one flat, Bb, therefore the key signature for the key of F major contains one flat, Bb.

The reason some scales contain sharps while others contain flats is that there has to be a separate letter name for each note in the scale. For example, the G major scale contains F# instead of Gb even though these two notes are identical in sound. However, if Gb was used, the scale would contain two notes with the letter name G and no note with the letter name F. This is the reason for choosing to call the note F# in this key. In the key of F major, the note Bb is chosen instead of A # for the same reason. If A# was used, the scale would contain two notes with the letter name A and no note with the letter name B. The note each major scale starts on will determine how many sharps or flats are found in each key signature because of the necessity for the scale to have the correct pattern of tones and semitones in order to sound right.

The following charts contain the key signatures of all the major scales used in music, along with the number of sharps or flats contained in each key. Because there are 12 notes used in music, this means there are 12 possible starting notes for major scales (including sharps and flats). Therefore some of the keys will have sharps or flats in their name, e.g., F# major, Bb major, Eb major, etc. Keys which contain sharps are called sharp keys and keys which contain flats are called flat keys.

The key signatures for all the major scales that contain sharps are:

The sharp key signatures are summarized in the following table.

The key signatures for all the major scales that contain flats.

The flat key signatures are summarized in the following table.

*An interval is the distance between two notes, and is named by the number of letters they are apart, e.g., C to G is a fifth. For more on intervals, see Progressive Guitar Method: Theory.

Peter Gelling

Peter Gelling

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Class Sessions

1- Using the Whole Fretboard 2- Notes on the First String 3- The 12-Bar Blues 4- The Eighth Note 5- The Triplet 6- Notes on the Fourth String 7- Sixteenth Notes 8- Playing Two Strings Together 9- The Minor Pentatonic Scale 10- Chords 11- INTRODUCTION 12- The Half Bar 13- Rests 14- Ties And Syncopation 15- Using the Guitar Pickups 16- Minor Chords 17- The Major Scale 18- Arpeggios 19- Learning All the Notes 20- Using Guitar Effects 21- Vibrato 22- How to Read Music 23- Scale Degrees 24- Moving to Different Keys 25- Slurs 26- The Trail Off 27- Five Forms of the Pentatonic 28- The Release Bend 29- Moving Between Forms 30- Getting Your Hands Moving 31- Bending Notes 32- The Slide 33- The Trill 34- Analyzing What You Play 35- Reverb 36- C Major Scale in Open Position 37- Sliding Pattern 2 38- Electric Guitars 39- Identifying Scale Patterns 40- The Lead-in 41- The Full Bar 42- Notes on the Sixth String 43- Vibrato With Bent Notes 44- Sixteenth Note Groupings 45- Slight Bends 46- Swing Rhythms 47- Chords I IV and V in all Keys 48- Tones and Semitones 49- Right Hand Technique 50- Overdrive and Distortion 51- Alternate Picking 52- Notes on the Fifth String 53- Power Chords 54- Chord Symbols 55- Tablature 56- Rests With Chord Playing 57- Playing Two Strings With the First Finger 58- Pickup Selector Switches 59- Visualizing 60- The G Major Scale 61- Picking the Open Strings 62- Pentatonic Blues Solo 63- Notes on the Second String 64- The Shuffle 65- The Chromatic Scale 66- Delay 67- Notes on the Sixth String 68- The Symbols 8va and loco 69- Music Notation 70- Harmonizing Scales With Power Chords 71- Movable Power Chords 72- Left Hand Technique 73- Rhythm Notation 74- Riffs 75- Electric Guitar Pickups 76- Learning the Notes on the Staff 77- Jam Along Progressions 78- Amplifiers 79- Notes on the Third String 80- Left Hand Technique 81- Chorus 82- Learning the Whole Fretboard 83- Strumming 84- Keys and Key Signatures 85- The Open Position 86- Listening 87- The Open Strings of the Guitar 88- Notes on the Guitar Fretboard 89- Flanger 90- Types of Amplifiers 91- Major Chord Formations 92- More titles by LearnToPlayMusic.com 93- Understanding the Control Knobs 94- Bar Lines 95- Strings 96- Time Signatures 97- Chord Symbols

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