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Improvising and Scales

Lesson 2/73 | Study Time: 5 Min
Improvising and Scales

Improvising and Scales

When a lead guitarist is required to play a solo they can either play a pre-learned arrangement of notes or improvise a solo. Improvisation requires a combination of knowing: 1. what scales to play, i.e., what scales to use and when to use them as discussed in Lessons 4 and 10, and 2. how to play them, i.e., what combination of timing (discussed in Lessons 1, 2 and 3) and techniques (discussed in Lessons 6 to 9) to use.

Improvising Pattern 1

The following fretboard diagram illustrates the most important pattern of notes used when playing lead guitar. All Pop, Rock and Blues guitarists need to know this pattern. The following pattern begins on the fifth fret of the 6th string. The left hand fingering number is written in white inside the dot.

The following example shows the notes in pattern 1 played as eighth notes. The name of this pattern of notes is the Minor Pentatonic Scale. It is the most common scale used in lead guitar improvising.

Position

The notes in pattern 1 can be used to improvise against a chord progression using any order or timing. The important thing to know is what position to play the pattern. Position is the distance of four frets on the fretboard.

The name of the position is determined by which fret the first finger of the left hand is on. Pattern 1 was introduced with the first note on the 5th fret (and the other notes in the pattern either on the 5th, 7th or 8th fret). This is called fifth position and the first note of the pattern is A.

If the pattern was starting on the 3rd fret it would be in third position and the first note would be G.

If the pattern was starting on the 8th fret it would be in eighth position and the first note would be C.

If the pattern was starting on the open 6th string (an E note), it would be in open position.

If the pattern was starting on the 12th fret of the 6th string it would be in twelfth position and would be one octave higher than pattern 1 at the open position.

Practice playing pattern 1 in these new positions as shown on the previous fretboard diagram.

Gary Turner

Gary Turner

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Class Sessions

1- Alternate Picking 2- The Hammer-on 3- Improvising and Scales 4- The Slide 5- The Tie 6- The Bend 7- Vibrato 8- Open String Slurs 9- 12 Bar Blues 10- The Blues Scale 11- How to Read Music 12- INTRODUCTION 13- Pick Tremolo 14- Other Titles in This Series 15- Right Hand Fretting 16- Licks Using Bends 17- The Major Scale 18- Pattern 1 Extension 19- Notes on the Guitar Fretboard 20- The Pull-off 21- Pattern 1 Licks 22- Quarter Note Riffs 23- Rests and Syncopation 24- 12 Bar Blues in A Minor 25- The Natural Minor Scale 26- Using Pattern 1 27- Two Handed Tapping 28- Double Notes 29- Riff Variation 30- Approach to Practice 31- The Chromatic Scale 32- The Release Bend 33- Chord Progressions 34- The Quick Slide 35- Shuffle Rhythm 36- The Quarter Note Triplet 37- Licks Using Release Bends 38- Additional Riffs 39- Notes on the Guitar Fretboard 40- Licks Using the Slide 41- Technique Combinations 42- Tuning Your Guitar 43- Slurring 44- Three Fingered Slurring 45- Lead Guitar Solo Number 4 46- Learning all the Keys 47- Other Improvising Patterns 48- Electronic Tuner 49- The Quick Hammer-on 50- Lead Guitar Solo Number 1 51- The Quick Bend 52- Lead Guitar Solo Number 3 53- Fretboard Diagrams 54- Using Pattern 2 55- Key Signatures 56- Lead Guitar Solo Number 2 57- Technique Symbols 58- Scales 59- Using Pattern 3 60- Using Pattern 4 61- The Chromatic Scale 62- Using Pattern 5 63- The Major Scale 64- Jamming Progressions 65- The Minor Scale 66- 12 Bar Blues Progressions 67- The Minor Penatonic Scale 68- Minor Key Progressions 69- The Blues Scale 70- Major Key Progressions 71- The Major Pentatonic Scale 72- Major Key Progressions 73- More titles by LearnToPlayMusic.com

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