The next exercise is a new rhythm figure using dotted quarter notes. This time the eighth note is played first and the dotted quarter note is played off the beat.
This creates an effect known as syncopation, which means displacing the normal flow of accents, usually from on the beat to off the beat. Practice this example slowly at first and count carefully as you play.
This well known spiritual makes frequent use of the previous syncopated rhythm. If you have trouble with any of the timing in this song, practice the rhythm figures on one note at first as in the previous example.
This is an eighth rest.
It indicates half a beat of silence.
The use of eighth rests on the beat is a very common way of achieving syncopated rhythms as shown in the following examples.
Here is a 12 Bar Blues which features the use of eighth rests. Take it slowly at first and count until you are confident you have the correct timing, then gradually increase the tempo.
Another common way of creating syncopated rhythms is the use of ties. Here is a rhythm similar to the one used in example 59. The difference is that it uses ties instead of rests on the beat.
This well known Caribbean song makes very effective use of syncopated rhythms using ties. It is written here in the key of G Major.