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Glossary of Musical Terms

Lesson 2/209 | Study Time: 5 Min
Course: Complete Guitar
Glossary of Musical Terms

Accidental — a sign used to show a temporary change in pitch of a note (i.e., sharp # , flat b , double sharp ! , double flat bb , or natural @ ). The sharps or flats in a key signature are not regarded as accidentals.

Ad lib — to be played at the performer’s own discretion.

Allegretto — moderately fast.

Allegro — fast and lively.

Andante — an easy walking pace.

Arpeggio — the playing of a chord in consecutive single notes.

Bar — a section of music occurring between two bar lines (also called a "measure").

Bar chord — a chord played with one finger lying across all six strings on the guitar.

Bar line — a vertical line drawn across the staff dividing the music into equal sections called bars.

Bass — the lower regions of pitch in general. On guitar, the 4th, 5th and 6th strings.

Chord — a combination of three or more different notes played together.

Chord progression — a series of chords played as a musical unit (e.g., in a song).

Clef — a sign placed at the beginning of each staff of music which fixes the location of a particular note on the staff, and hence the location of all other notes.

Coda — an ending section of music, signified by the sign v.

Common time — an indication of * time — four quarter note beats per bar (also indicated by Q).

D.C. al fine — repeat from the sign (indicated thus V ) to the word "fine".

Dynamics — the varying degrees of volume, e.g., softness (indicated by the term "piano") and loudness (indicated by the term "forte") in music.

Eighth note — a note with the value of half a beat in * time, indicated thus 5(also called a quaver).

Eighth rest — indicating half a beat of silence is written: j

Enharmonic — describes the difference in notation, but not in pitch, of two notes.

Fermata — a sign, ? , used to indicate that a note or chord is held to the player’s own discretion (also called a "pause sign").

Flat — a sign, ( b )used to lower the pitch of a note by one semitone.

Half note — a note with the value of two beats in * time, indicated thus: 1 (also called a minim).

Half rest, indicating two beats of silence, is written: g on the third staff line.

Harmony — the simultaneous sounding of two or more different notes.

Interval — the distance between any two notes of different pitches.

Key — describes the notes used in a composition in regards to the major or minor scale from which they are taken; e.g., a piece "in the key of C major" describes the melody, chords, etc., as predominantly consisting of the notes, C, D, E, F, G, A, and B — i.e., from the C scale.

Key signature — a sign, placed at the beginning of each staff of music, directly after the clef, to indicate the key of a piece. The sign consists of a certain number of harps or flats, which represent the sharps or flats found in the scale of the piece’s key.

Ledger lines — small horizontal lines upon which notes are written when their pitch is either above or below the range of the staff.

Legato — smoothly, well connected.

Lick — a short musical phrase.

Major scale — a series of eight notes in alphabetical order based on the interval sequence tone - tone - semitone - tone - tone - tone - semitone, giving the familiar sound do re mi fa so la ti do.

Melody — a group of notes of varying pitch and duration, and having a recognizable musical shape.

Metronome — a device which indicates the number of beats per minute, and which can be adjusted to any desired tempo.

Moderato — at a moderate pace.

Natural — a sign ( @ )used to cancel out the effect of a sharp or flat. The word is also used to describe the notes A, B, C, D, E, F and G; e.g., "the natural notes".

Note — a single sound with a given pitch and duration.

Octave — the distance between any given note with a set frequency, and another note with exactly double that frequency. Both notes will have the same letter name;

Open voicing — a chord that has the notes spread out between both hands on the keyboard.

Pitch — the sound produced by a note, determined by the frequency of the string vibrations. The pitch relates to a note being referred to as "high" or "low".

Plectrum — a small object (often of a triangular shape) made of plastic which is used to pick or strum the strings of a guitar, bass, mandolin or banjo.

Quarter note — a note with the value of one beat in * time, indicated thus 3 (also called a crotchet).

Quarter rest: h indicating one beat of silence.

Repeat signs — used to indicate a repeat of a section of music, by means of two dots placed before a double bar line.

Rhythm — the aspect of music concerned with duration and accent of notes.

Riff — a repeating pattern which may be altered to fit chord changes.

Semitone — the smallest interval used in conventional music. On guitar, it is a distance of one fret.

Root note — the note after which a chord or scale is named (also called "key note").

Sharp — a sign ( # ) used to raise the pitch of a note by one semitone.

Staccato — to play short and detached, indicated by a dot placed above the note.

Staff — five parallel lines together with four spaces, upon which music is written.

Syncopation — the placing of an accent on a normally unaccented beat.

Tempo — the speed of a piece.

Ternary — see form.

Tie — a curved line joining two or more notes of the same pitch, where the second note(s) is not played, but its time value is added to that of the first note.

Timbre — a quality which distinguishes a note produced on one instrument from the same note produced on any other instrument (also called "tone color"). A given note on the guitar will sound different (and therefore distinguishable) from the same note on piano, violin, flute etc. There is usually also a difference in timbre between two instruments of the same type (e.g., two pianos).

Time signature — a sign at the beginning of a piece which indicates, by means of figures, the number of beats per bar (top figure), and the type of note receiving one beat (bottom figure).

Tone — a distance of two semitones.

Transposition — the process of changing a piece of music from one key to another.

Treble — the upper regions of pitch in general.

Treble clef — a sign placed at the beginning of the staff to fix the pitch of the notes placed on it. The treble clef (also called "G clef") is placed so that the second line indicates as G note.

Gary Turner and Peter Gelling

Gary Turner and Peter Gelling

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Class Sessions

1- INTRODUCTION 2- LESSON ONE 3- Playing Single Notes (Picking) 4- The C Major Chord 5- Notes on the 1st String 6- The Eighth Note 7- Eighth Note Strumming Rhythms 8- A Major Chord 9- Notes on the 4th String 10- Notes on the 5th string 11- Fingerpicking 12- The Major Scale 13- The Three Four Time Signature 14- Bass Note Rhythm Patterns 15- Sharp Signs 16- Silent Strums And Continuous 17- Flat Signs 18- Learning All The Notes 19- More About Major Scales 20- More on Keys And Key Signatures 21- How to Learn a New Key 22- Transposing 23- Minor Keys And Scales 24- Simple And Compound Time 25- Relative Keys 26- Intervals 27- Understanding Chords 28- Chord Construction—Triads 29- Scale Tone Chords 30- Bass Runs 31- Minor Key Scale Tone Triads 32- Right Thumb and Fingers Together 33- Suspended Chords 34- New Topic 35- Strumming Two Strings Together 36- Dominant 7th Chords 37- Seventh Chord Types 38- Bar Chords 39- Learning the Whole Fretboard 40- Adding Chromatic Notes to Keys 41- The Minor Pentatonic Scale 42- The Triplet 43- More About 12 Bar Blues 44- Sixteenth Notes 45- Slurs 46- Identifying Rhythms 47- The Slide 48- Movable Chord Shapes in Five Forms 49- Bending Notes 50- Vibrato 51- Moving to Different Keys 52- Analyzing What You Play 53- Five Forms of The Pentatonic Scale 54- The Blues Scale 55- Twelve Eight Time ( <span class="symbolA">+</span> ) 56- Glossary of Musical Terms 57- Acoustic Guitars 58- The G Major Chord 59- Notes on the 3rd String 60- The Pivot 61- Alternate Picking 62- 12 Bar Blues 63- Minor Chords 64- Ledger Lines 65- Picking With Your Thumb 66- The Octave 67- <span class="symbolA">^</span> Time Rhythm Patterns 68- Playing Notes Together Fingerstyle 69- The F Sharp Note (F<span class="symbolA">#</span>) 70- Rhythms 71- The Note B Flat (B<span class="symbolA">b</span> ) 72- Tones And Semitones 73- The Key Cycle 74- The Natural Minor Scale 75- Learning Minor Scales in All Keys 76- Interval Qualities 77- Fingering Variations 78- Augmented And Diminished Chords 79- The Major Key Triad Pattern 80- Slash Chords 81- Clawhammer Style 82- Add Nine Chords 83- Power Chords 84- The Half Bar 85- Major Seventh Chords (Maj7) 86- Left Hand Technique 87- Notes on the Guitar Fretboard 88- Riffs 89- Swing Rhythms 90- Chords I IV and V in all Keys 91- Using 16th Notes With Chords 92- The Hammer-on 93- The 9th Chord 94- Pattern 1 Extension 95- Movable 7th Chord Forms 96- Licks Using Bends 97- Pick Tremolo 98- Identifying Scale Patterns 99- New Techniques - The Rake And The 100- 16th Notes in <span class="symbolA">+</span> Time 101- Electric Guitars 102- Chord Diagrams 103- Notes on the 2nd String 104- Rests 105- Tablature Size And Style 106- Turnaround Progressions 107- Notes on the 6th String 108- Fingerpicking Pattern 1 109- C Major Scale in Open Position 110- Fingerpicking Patterns in <span class="symbolA">^</span> Time 111- Bass Note Rhythm Patterns in <span class="symbolA">*</span> Time 112- The G Major Scale 113- Silent Strum Symbols 114- Left Hand Fingering Numbers 115- Sharps 116- Major Scales in All Keys 117- The Harmonic Minor Scale 118- Table of Minor Scales 119- Interval Distances 120- Rhythm Notation 121- Primary Chords 122- Chords in Other Minor Keys 123- Adding Scale Tones to Chords 124- Movable Power Chords 125- Minor Seventh Chords (m7) 126- Root 6 Bar Chords 127- Notes in More than one Place 128- The Shuffle 129- Pentatonic Blues Solo 130- Common 16th Note Figures 131- The Pull-off 132- Developing Rhythmic Control 133- The Quick Slide 134- Voicings 135- The Release Bend 136- Double Notes 137- Blues Scale Forms 138- A Final Solo 139- Strings 140- The Seventh Chord 141- Rhythm Patterns 142- The Lead-In 143- Alternating Bass Notes 144- Sequences 145- Key Signatures 146- Syncopation 147- The F Major Scale 148- The Chromatic Scale 149- The Melodic Minor Scale 150- Finding Intervals on The Fretboard 151- Arpeggios 152- Harmonizing Melodies 153- Harmonic Minor Scale Tone Chords 154- Right Hand Damping 155- Minor Seven Flat Five Chords (m7 <span class="symbolA">b</span>5) 156- Notes on The Sixth String 157- Position Playing, Position Indicators 158- Slurs Using Open Strings 159- Twelve Note Positions For Triplets 160- Licks Using The Slide 161- Superimposing Chord Forms 162- Licks Using Release Bends 163- Playing With Other Musicians 164- Tuning Your Guitar 165- Slide Finger 166- Fingerpicking Pattern 2 167- The Key of C Major 168- Fingerpicking Pattern 5 169- Syncopated Bass Note Rhythms 170- Flats 171- Identifying Intervals by Ear 172- Playing Arpeggios 173- Common Progressions 174- Fingering Numbers in Traditional Notation 175- Rock n Roll Chords 176- Diminished 7th Chords (dim, dim7 or <sup>o</sup>7) 177- Bar Chord Indicators 178- Unison Notes, String Markings ( ) 179- The Quarter Note Triplet 180- Swinging 16th Notes 181- Movable Minor Chords 182- The Quick Bend 183- Jam Along Progressions 184- How to Read Music 185- Chord Progressions 186- Fingerpicking Accompaniment 187- Bass Note Rhythm Variations 188- Enharmonic Notes 189- Chord Shapes 190- Melodic Minor Scale Tone Chords 191- A Rock Chord Shapes 192- Percussive Strumming 193- Higher And Lower Octaves of Notes 194- 16 Positions For Sixteenth Notes 195- Sliding Chords 196- Listening 197- Music Notation 198- D Rock Chord Shapes 199- Root 5 Bar Chords 200- Supplementary Pieces 201- How to Hold the Guitar 202- E Rock Chord Shapes 203- Notes on The Fifth String 204- Movable Chord Shapes 205- Right Hand Position 206- Changing Between Shapes 207- Chord Formula Chart 208- Left Hand Position 209- Left Hand Placement

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