USD ($)
$
United States Dollar
Euro Member Countries
¥
China Yuan Renminbi
$
Australia Dollar
R$
Brazil Real
лв
Bulgaria Lev
$
Canada Dollar
$
Chile Peso
$
Colombia Peso
Czech Republic Koruna
£
Egyptian Pound
Ft
Hungary Forint
India Rupee
Rp
Indonesia Rupiah
Israel Shekel
¥
Japan Yen
Kazakhstani Tenge
kr
Denmark Krone
$
Hong Kong Dollar
£
United Kingdom Pound
Korea (South) Won
$
New Zealand Dollar
Russia Ruble
Viet Nam Dong
د.إ
United Arab Emirates dirham
CHF
Switzerland Franc
kr
Sweden Krona
kr
Norway Krone
$
Singapore Dollar
R
South Africa Rand
$
Mexican Peso
Turkey Lira

Making Musical Sounds

Lesson 2/145 | Study Time: 5 Min
Making Musical Sounds

Making Musical Sounds

The harmonica is capable of producing both notes and chords. A note is the sound produced by inhaling or exhaling on any one hole of the harmonica. A chord is a combination of three or more notes played together. In some situations it is desirable to play two notes together. This is called a double stop. Each of these possibilities require a different technique to produce the correct sound. These different methods will be dealt with as the book progresses. The easiest thing to play on the harmonica is a chord. To locate a particular three hole chord, simply place your mouth at the center note of the chord, allowing your mouth to cover a comfortable amount of the harmonica. For example, to play a chord using the 4, 5, and 6 holes, center your mouth on the number 5 hole. The number 4 and 6 holes will automatically be included. If you are unsure what holes you are covering, try placing your tongue in one of the holes, then replace it with your finger and have a look to see which hole it is. After doing this a few times you will soon become familiar with which holes you are sounding.

 

The first example on the accompanying recording is a demonstration of chords played with exhale and inhale breaths in the low, middle and high sections of the harmonica.

To imitate what you hear on the CD, start with an inhaled note on holes 1, 2 and 3, followed by exhaled notes and then move up the harmonica, then back down. Don’t worry at this stage about exactly what holes you are playing, just get a feeling for where you should move to produce higher or lower sounds. This first example is not notated, listen to the CD and copy the sounds you hear. As you play, make sure the harmonica points directly into your mouth as shown below rather than being angled. This will allow the air to flow freely through the instrument as you breathe and will produce the clearest sound.

Peter Gelling

Peter Gelling

Product Designer
4.79
Profile

Class Sessions

1- INTRODUCTION 2- The Diatonic Harmonica (Key of C) 3- Making Musical Sounds 4- Rests 5- Playing Single Notes 6- Hand Vibrato 7- The Eighth Note 8- 12 Bar Blues 9- The C Major Scale 10- Cross Harp Playing(Second Position) 11- The Triplet 12- Sliding Between Notes 13- Bending Notes 14- Grace Notes 15- Sixteenth Notes 16- Dotted Eighth Notes 17- What are These Sounds? 18- Cross Harp Sounds 19- Articulations 20- Improvisation 21- Eight Bar Blues 22- Third Position 23- Fourth Position 24- Harps in Other Keys 25- The Chromatic Harmonica 26- Solving Reading Problems 27- Sharps and Flats 28- More About Major Scales 29- Playing the Chromatic Scale 30- More About Keys and Key Signatures 31- Transposing 32- More About Blues Scales 33- Intervals 34- Minor Keys and Scales 35- Relative Keys 36- Using the Compact Discs 37- How to Hold the Harmonica 38- Reading the Notation System 39- Moving Between Positions 40- The Lead-in 41- The Train Whistle 42- Double Tonguing 43- Rhythm Playing 44- Key of C Major 45- More About 12 Bar Blues 46- Swing Rhythms 47- The Trail Off 48- Licks 49- The Trill 50- First and Second Endings 51- Notes on the C Harmonica 52- The G Major Pentatonic Scale 53- Accents 54- The Turnaround 55- The Dorian Scale 56- Relative Major and Minor Keys 57- Bending Exhale Note 58- Holding the Chromatic Harmonica 59- Positions on the Chromatic Harp 60- The Chromatic Scale 61- Major Scale Pattern 62- Enharmonic Notes 63- The Key Cycle 64- The Key of E Flat Minor 65- Interval Qualities 66- The Harmonic Minor Scale 67- Learning a New Minor Key 68- Approach to Practice 69- Bar Lines 70- Playing Songs 71- The Tie 72- Breath Control 73- Syncopation 74- Chord Numbers 75- The Shuffle 76- More Notes to Bend 77- Throat Vibrato 78- Sixteenth Notes and Ties 79- Complete Range of the C Harmonica 80- The Minor Pentatonic Scale 81- Ghost Notes 82- Ear Training 83- Simple and Compound Time 84- Swinging Sixteenth Notes 85- Understanding Chords 86- Understanding Music 87- Intervals 88- The G Major Scale 89- Major Scales in all Keys 90- Interval Distances 91- The Melodic Minor Scale 92- Minor Scales in all Keys 93- Types of Harmonicas 94- Consecutive Breaths 95- Combining Chords and Single Notes 96- Posture 97- Root Notes 98- Stop Time 99- The Major Pentatonic Scale 100- The Blues Scale 101- Learning From Horn Players 102- Call and Response 103- The Blues Scale in Third Position 104- Playing in Other Keys 105- Melody and Harmony 106- Standard Music Notation 107- Using the Slide 108- Key Signatures 109- Using the Key Cycle 110- Identifying Intervals by Ear 111- Table of Minor Scales 112- Tonguing 113- Tone Development 114- Learning Vocal Melodies 115- Playing Octaves 116- Different Types of Chords 117- Learning the Notes on the Staff 118- The F Major Scale 119- Jam Along Progressions 120- Playing by Ear 121- Leaving Space Between Phrases 122- New Topic 123- Note Values 124- Performing in Public 125- Riffs 126- The Note Tree 127- Overcoming Nerves 128- Range of the Chromatic Harmonica 129- Eye Contact 130- Playing Songs on the Chromatic Harmonica 131- Stage Presence and Stage Craft 132- Slurs 133- Developing Your Own Style 134- Cut Common Time 135- Microphones 136- Octaves on the Chromatic Harp 137- Microphones for Performing Live 138- Developing Your Music Reading 139- Amplification 140- Overdrive 141- Using a Harmonica Rack 142- Listening 143- Transcribing 144- Recording Yourself 145- Learning More About Music

GDPR

When you visit any of our websites, it may store or retrieve information on your browser, mostly in the form of cookies. This information might be about you, your preferences or your device and is mostly used to make the site work as you expect it to. The information does not usually directly identify you, but it can give you a more personalized web experience. Because we respect your right to privacy, you can choose not to allow some types of cookies. Click on the different category headings to find out more and manage your preferences. Please note, that blocking some types of cookies may impact your experience of the site and the services we are able to offer.