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Developing Your Music Reading

Lesson 14/145 | Study Time: 5 Min
Developing Your Music Reading

Developing Your Music Reading

Because it is possible to play in all keys on the chromatic harmonica, it is possible to play a lot of music which could not be played on a diatonic harmonica. Some music can be learned simply by listening to recordings and imitating what you hear.

However, recordings only began in the 20th century and there is a whole world of great music written before the 20th century which is unavailable to you if you can’t read music.

Even where there are recordings, as music becomes more complex it is harder to learn by ear. If you can read music well, you can often learn a new piece of music in a very short time. This ability allows musicians to play easily with a new group they have never played with before by the use of "charts" which contain the melody and chord changes to songs. If you intend to play Jazz or Classical music, it is essential to develop your ability to read and understand music in all keys.

The first step in developing this ability is learning to read scales and simple tunes without the aid of inhale and exhale or hole number markings. Shown below is the notation for a C major scale in quarter notes. You can already play this without even thinking. Play through it watching the notation and say the name of each note to yourself as you play.

The next step is recognising the notes in different octaves. Here is the C major scale played over two octaves in eighth notes and then sixteenth notes. Don’t let the notation for the higher notes scare you. They are simply repeats of the lower notes an octave higher. On the recording the harmonica has been omitted when the example repeats. Play along with the drumbeat while reading the notation. Think the names of the notes as you go. Once you can do this with sixteenth notes, you are well on your way.

Once you can recognise the notes from the notation, the best way to develop your reading is by doing lots of it! The most enjoyable way to do this is to read melodies. Here are some to practice. Read each one until you can play it from memory and then close your eyes and concentrate on playing with feeling and a beautiful tone.

The following melody is written in Cut Common time. The melodies are only a few examples. It is recommended that you purchase a book of song melodies and start learning the ones in C major. By the end of this book, you will understand how to read melodies in all the other keys as well. It is also a good idea to work your way through method books for other wind instruments, particularly Flute books, as the lowest note on the flute is middle C – the same as the lowest note on a C Chromatic harmonica.

Peter Gelling

Peter Gelling

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Class Sessions

1- INTRODUCTION 2- The Diatonic Harmonica (Key of C) 3- Making Musical Sounds 4- Rests 5- Playing Single Notes 6- Hand Vibrato 7- The Eighth Note 8- 12 Bar Blues 9- The C Major Scale 10- Cross Harp Playing(Second Position) 11- The Triplet 12- Sliding Between Notes 13- Bending Notes 14- Grace Notes 15- Sixteenth Notes 16- Dotted Eighth Notes 17- What are These Sounds? 18- Cross Harp Sounds 19- Articulations 20- Improvisation 21- Eight Bar Blues 22- Third Position 23- Fourth Position 24- Harps in Other Keys 25- The Chromatic Harmonica 26- Solving Reading Problems 27- Sharps and Flats 28- More About Major Scales 29- Playing the Chromatic Scale 30- More About Keys and Key Signatures 31- Transposing 32- More About Blues Scales 33- Intervals 34- Minor Keys and Scales 35- Relative Keys 36- Using the Compact Discs 37- How to Hold the Harmonica 38- Reading the Notation System 39- Moving Between Positions 40- The Lead-in 41- The Train Whistle 42- Double Tonguing 43- Rhythm Playing 44- Key of C Major 45- More About 12 Bar Blues 46- Swing Rhythms 47- The Trail Off 48- Licks 49- The Trill 50- First and Second Endings 51- Notes on the C Harmonica 52- The G Major Pentatonic Scale 53- Accents 54- The Turnaround 55- The Dorian Scale 56- Relative Major and Minor Keys 57- Bending Exhale Note 58- Holding the Chromatic Harmonica 59- Positions on the Chromatic Harp 60- The Chromatic Scale 61- Major Scale Pattern 62- Enharmonic Notes 63- The Key Cycle 64- The Key of E Flat Minor 65- Interval Qualities 66- The Harmonic Minor Scale 67- Learning a New Minor Key 68- Approach to Practice 69- Bar Lines 70- Playing Songs 71- The Tie 72- Breath Control 73- Syncopation 74- Chord Numbers 75- The Shuffle 76- More Notes to Bend 77- Throat Vibrato 78- Sixteenth Notes and Ties 79- Complete Range of the C Harmonica 80- The Minor Pentatonic Scale 81- Ghost Notes 82- Ear Training 83- Simple and Compound Time 84- Swinging Sixteenth Notes 85- Understanding Chords 86- Understanding Music 87- Intervals 88- The G Major Scale 89- Major Scales in all Keys 90- Interval Distances 91- The Melodic Minor Scale 92- Minor Scales in all Keys 93- Types of Harmonicas 94- Consecutive Breaths 95- Combining Chords and Single Notes 96- Posture 97- Root Notes 98- Stop Time 99- The Major Pentatonic Scale 100- The Blues Scale 101- Learning From Horn Players 102- Call and Response 103- The Blues Scale in Third Position 104- Playing in Other Keys 105- Melody and Harmony 106- Standard Music Notation 107- Using the Slide 108- Key Signatures 109- Using the Key Cycle 110- Identifying Intervals by Ear 111- Table of Minor Scales 112- Tonguing 113- Tone Development 114- Learning Vocal Melodies 115- Playing Octaves 116- Different Types of Chords 117- Learning the Notes on the Staff 118- The F Major Scale 119- Jam Along Progressions 120- Playing by Ear 121- Leaving Space Between Phrases 122- New Topic 123- Note Values 124- Performing in Public 125- Riffs 126- The Note Tree 127- Overcoming Nerves 128- Range of the Chromatic Harmonica 129- Eye Contact 130- Playing Songs on the Chromatic Harmonica 131- Stage Presence and Stage Craft 132- Slurs 133- Developing Your Own Style 134- Cut Common Time 135- Microphones 136- Octaves on the Chromatic Harp 137- Microphones for Performing Live 138- Developing Your Music Reading 139- Amplification 140- Overdrive 141- Using a Harmonica Rack 142- Listening 143- Transcribing 144- Recording Yourself 145- Learning More About Music

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