Enharmonic Notes
You may have noticed an F# note in the Blues scale in exercise 33. F# has exactly the same sound as Gb, and therefore either spelling of the note may occur in the written music. This is an example of enharmonic spelling of the same note. Here are some more examples of enharmonic notes.
This 12 Bar Blues contains examples of two blue notes and their enharmonic alternatives: b3 (Eb = D#) and b5 (Gb = F#). In this example the left hand plays the root and the 5th of each chord. This is a common accompaniment technique, particularly in Blues and Rock.
Class Sessions
1- Basic Chords
2- New Topic
3- Two Handed Rhythms
4- 16th Note Studies
5- Sixteenth Notes
6- Transposing
7- Using 7th Chords
8- Seventh Chords
9- Seventh Chords, Transposing
10- More Minor Chords
11- Eighth Note Rhythms
12- The C Minor Chord
13- Two Handed Riffs
14- LESSON NINE
15- The Blues Scale
16- Chord Inversions
17- INTRODUCTION
18- The Major Chord
19- Rhythms
20- The G Major Chord
21- The 12 Bar Blues
22- Blue Notes
23- Blues Notes, Riffs, Eighth Note Rhythms and Minor Chords.
24- More on Inversions
25- Slash Chords
26- Enharmonic Notes
27- Chord
28- Call and Response
29- Blues Scale Riffs
30- Chord Numbers
31- G7 Chord Inversions
32- Riffs
33- C Minor Chord
34- F Minor Chord Inversions
35- C Major Chord
36- The C7 Chord
37- The G Minor Chords
38- G Major Chord Inversions
39- The D7 Chord
40- F Major Chord Inversions
41- G Minor Chord
42- The F7 Chord