Two Handed Rhythms
Another important aspect of Funk piano playing is the use of 16th note rhythm parts using both hands. This can take some time to develop, but it sounds great once you get it. A good way to start developing the ability to play these parts is to play 7th chord arpeggios using both hands as shown in the following example.
Here are some piano parts based on this simple arpeggio. It is very easy to change the character of these parts by using either the natural 3rd (major) or the flattened 3rd (minor) as demonstrated in the following example. By using the flattened third, the chord becomes a minor seventh (m7). Minor sevenths will be discussed in detail in Progressive Funk and R&B piano Technique.
This one is a variation on the previous example.
Here is a slightly more complex line based around a C minor arpeggio.
In this one the right hand plays full chords but both hands are still working together.
This one takes the same type of idea even further.
Here is a final 12 Bar Blues summarising many of the things you have learned in the book. If you wish to continue your study of Funk and R&B piano playing, Progressive Funk and R&B Piano Technique continues on from this point, covering subjects such as playing in all keys, improvisation and many other exciting sounds and rhythms.
