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Transposing

Lesson 2/72 | Study Time: 5 Min
Course: Mandolin
Transposing

Transposing

Transposing (or transposition) means changing the key of a piece of music. This can apply to a scale, a phrase, a short melody, or an entire song. The ability to transpose is an essential skill for all musicians to develop. The easiest method is to write out the notes of the key you are transposing to and from (say C to F), along with their degrees.

C Major Scale

F Major Scale

Next, write the scale degrees under the melody you want to transpose.

Key of C

Finally, find out what notes those degrees equate to in the key you want to transpose to. If it helps, write the new notes under the scale degrees of the original piece, before putting them on the new staff with the new key signature. You should now have the same melody at a different (in this case higher) pitch.

Key of F

Try this process yourself, transposing the previous melody from the key of F to the key of G. Then transpose the same melody to every other key (see lesson 14 for a list of sharps or flats in each key). You should also try the same technique with other tunes you know. Eventually, you will be able to transpose in your head instantly, without the need for notated scale degrees. The more you practice, the easier it gets.

In the previous lesson, you learned this song in the key of D major. This version is in the key of E major, which contains four sharps - F# C# G# and D#. To help you become more familiar with the key of E major, go though the process of learning the scale over two octaves and then play sequences to teach your fingers to find all the notes in the key automatically. Once you can play this melody in E major, transpose it to all other keys.

This traditional Irish ballad is written here in the key of D major. Once again, you should use the steps shown in the previous lesson to familiarize yourself with the key before learning the song, then memorize it and transpose it to all the other keys. By the time you have been through this process with about ten songs, you should have a good knowledge of all the keys. Go back through the book and find other songs to transpose, and make a habit of transposing everything you learn to all twelve keys.

Peter Gelling

Peter Gelling

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Class Sessions

1- The Eighth Note 2- Rests 3- Chords 4- Flat Signs 5- Accompanying a Melody 6- Minor Chords 7- Sharp Signs 8- Learning All the Notes 9- The Major Scale 10- More on Keys and Key Signatures 11- Notes on the Fourth String 12- How to Learn a New Key 13- The Octave 14- Notes on the First String 15- INTRODUCTION 16- Tuning to Another Instrument 17- Tremolo 18- Sixteenth Notes 19- How to Read Music 20- The Blues Scale 21- Relative Keys 22- Minor Keys and Scales 23- Transposing 24- Simple and Compound Time 25- Sharps 26- The Triplet 27- Seventh Chords 28- The Key Cycle 29- Tuning a Mandolin to Itself 30- Rhythm Patterns 31- Double Stops 32- Strumming 33- Syncopation 34- The Lead-in 35- A Natural Minor Scale 36- Using an Electronic Tuner 37- Tablature 38- Notes on the Second String 39- Alternate Picking 40- 12 Bar Blues 41- The Key of C Major 42- The F Sharp Note (F<span class="symbolA">#</span>) 43- The Note B Flat (B<span class="symbolA">b</span>) 44- Major Scales in All Keys 45- The F Major scale 46- Music Notation 47- Swing Rhythm 48- The Slide 49- Notes on the Third String 50- Major Chord Shapes 51- How to Hold the Mandolin 52- The Chromatic Scale 53- The G Major Scale 54- Sequences 55- Eigth Note Strumming Rhythms 56- Higher Notes 57- Key of F Major 58- Using A Pick 59- First and Second Ending 60- The Bar 61- Learning the Notes on the Staff 62- Key Signatures 63- Flats 64- D.C al Fine 65- Time Signature 66- Right Hand Position 67- The Tie 68- Tempo Markings 69- Left Hand Technique 70- Chord Symbols 71- Dynamics 72- Cut Common Time

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