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Keys and Key Signatures

Lesson 2/93 | Study Time: 5 Min
Course: Music Theory
Keys and Key Signatures

Keys and Key Signatures

The key describes the note around which a piece of music is built. When a song consists of notes from a particular scale, it is said to be written in the key of that scale. For example, if a song contains mostly notes from the C major scale, it is said to be in the key of C major. If a song contains mostly notes from the F major scale, it is said to be in the key of F major. If a song contains mostly notes from the G major scale, it is said to be in the key of G major.

When playing in any major key other than C, the key will contain at least one sharp or flat, and possibly as many as six. Instead of writing these sharps or flats each time they occur, they are usually placed at the beginning of the piece just before the time signature, and are referred to as the key signature. It follows then that the number of sharps or flats in the key signature is the same as the number of sharps or flats in the corresponding major scale. The major scales and key signatures for the keys of F and G are shown here. Without sharps and flats, these scales would not contain the correct pattern of tones and semitones and would therefore not sound like a major scale.

G Major Scale

Key Signature of G Major

The G major scale contains one sharp, F#, therefore the key signature for the key of G major contains one sharp, F#.

F Major Scale

Key Signature of F Major

The F major scale contains one flat, Bb, therefore the key signature for the key of F major contains one flat, Bb.

The reason some scales contain sharps while others contain flats is that there has to be a separate letter name for each note in the scale. For example, the G major scale contains F# instead of Gb even though these two notes are identical in sound. If Gb was used, the scale would contain two notes with the letter name G and no note with the letter name F. In the key of F major, the note Bb is chosen instead of A# for the same reason. If A# was used, the scale would contain two notes with the letter name A and no note with the letter name B.

The following charts contain the key signatures of all the major scales used in music, along with the number of sharps or flats contained in each key. Because there are 12 notes used in music, there are 12 possible starting notes for major scales (including sharps and flats). This means that some of the keys will have sharps or flats in their name, e.g., F# major, Bb major, Eb major, etc. Keys which contain sharps are called sharp keys and keys which contain flats are called flat keys.

The sharp key signatures are summarized in the following table.

On a separate sheet of paper, write the following key signatures for all the major scales that contain sharps.

The flat key signatures are summarized in the following table.

* An interval is the distance between two notes. Intervals are named by the number of letters they are apart, e.g., C to G is a fifth. Intervals will be discussed in detail in later lessons.

Peter Gelling

Peter Gelling

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Class Sessions

1- More About Harmony 2- Transposing 3- Keys and Key Signatures 4- Sixteenth Notes 5- Simple and Compound Time 6- Intervals 7- Chords 8- The Major Scale 9- Chord Inversions 10- Minor Keys And Scales 11- Tones and Semitones 12- Scale Tone Chords 13- Dynamics 14- Secondary Triads 15- Ledger Lines 16- INTRODUCTION 17- Musical Form 18- How to Read Music 19- Glossary of Musical Terms 20- The Bass Staff 21- Dotted Notes 22- More titles by LearnToPlayMusic.com 23- Swing Rhythms 24- Minor Key Scale Tone Triads 25- Seventh Chord 26- Note Values 27- G Major Chord Inversions 28- Accidentals 29- Six Eight Time ( <span class="symbolA">)</span> ) 30- Interval Qualities 31- Scale Tone Seventh Chords 32- Chord Construction – Triads 33- Syncopation 34- Learning Minor Scales in all keys 35- Chord Progressions 36- 12 Bar Blues 37- Approach to Practice 38- Primary Triads 39- Chord Functions 40- Chords in Other Minor Keys 41- The Key Cycle 42- The Notes on The Treble Staff 43- Notes on The Bass Staff 44- Bar Lines 45- The Three Four Time Signature 46- The Lead-in 47- Volume Changes 48- Sharps 49- The Octave 50- Harmonizing Melodies 51- Major Scales in All Keys 52- Enharmonic Notes 53- The Grand Staff 54- Time Signatures 55- The Two Four Time Signature 56- Transposing in Minor Keys 57- Voice Leading 58- Slurs 59- Harmony 60- Grouping Notes in Compound Time 61- Tempo Markings 62- Relative Keys 63- Interval Distances 64- Arpeggios 65- Scale Degrees 66- Double Sharps and Double Flats 67- The Chromatic Scale 68- Tempo Changes 69- Identifying Intervals By Ear 70- Rests 71- Harmonic Minor Scale Tone Chords 72- Chord Symbols 73- Grouping Eighth Notes 74- Practice Progressions 75- Flats 76- Melodies to Harmonize With Primary Triads 77- Twelve Eight Time ( <span class="symbolA">+</span> ) 78- Rhythm Notation 79- Staccato 80- C Major Scale Over Four Octaves 81- Grouping Notes And Rests 82- Ties 83- Melodic Minor Scale Tone Chords 84- Major Scale Pattern 85- Major Key Triad Pattern 86- Melodies to Harmonize 87- Cadences 88- Scale Tone Chords in All Keys 89- The G Major Scale 90- Further Study 91- Common Progressions 92- The F Major Scale 93- Other Major Scales

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