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Glossary of Musical Terms

Lesson 2/93 | Study Time: 5 Min
Course: Music Theory
Glossary of Musical Terms

Accidental — a sign used to show a temporary change in pitch of a note (i.e., sharp # , flat b , double sharp ! , double flat ~ , or natural g ). The sharps or flats in a key signature are not regarded as accidentals.

Ad lib — to be played at the performer’s own discretion.

Allegretto — moderately fast.

Allegro — fast and lively.

Andante — an easy walking pace.

Arpeggio — the playing of a chord in consecutive single notes..

Bar — a section of music occurring between two bar lines (also called a "measure").

Bar chord — a chord played with one finger lying across all six strings on the guitar.

Bar line — a vertical line drawn across the staff dividing the music into equal sections called bars.

Bass — the lower regions of pitch in general. On guitar, the 4th, 5th and 6th strings.

Chord — a combination of three or more different notes played together.

Chord progression — a series of chords played as a musical unit (e.g., in a song).

Clef — a sign placed at the beginning of each staff of music which fixes the location of a particular note on the staff, and hence the location of all other notes.

Coda — an ending section of music, signified by the sign v.

Common time — an indication of * time — four quarter note beats per bar (also indicated by Q).

D.C al fine — repeat from the sign (indicated thus V) to the word "fine".

Dynamics — the varying degrees of volume, e.g., softness (indicated by the term "piano") and loudness (indicated by the term "forte") in music.

Eighth note — a note with the value of half a beat in * time, indicated thus 5 (also called a quaver).

Eighth rest — indicating half a beat of silence is written: j

Enharmonic — describes the difference in notation, but not in pitch, of two notes.

Fermata — a sign, ? , used to indicate that a note or chord is held to the player’s own discretion (also called a "pause sign").

Flat — a sign, ( b )used to lower the pitch of a note by one semitone.

Half note — a note with the value of two beats in * time, indicated thus: 1 (also called a minim).

Half rest, indicating two beats of silence, is written: g on the third staff line.

Harmony — the simultaneous sounding of two or more different notes.

Interval — the distance between any two notes of different pitches.

Key — describes the notes used in a composition in regards to the major or minor scale from which they are taken; e.g., a piece "in the key of C major" describes the melody, chords, etc., as predominantly consisting of the notes, C, D, E, F, G, A, and B — i.e., from the C scale.

Key signature — a sign, placed at the beginning of each staff of music, directly after the clef, to indicate the key of a piece. The sign consists of a certain number of harps or flats, which represent the sharps or flats found in the scale of the piece’s key.

Ledger lines — small horizontal lines upon which notes are written when their pitch is either above or below the range of the staff.

Legato — smoothly, well connected.

Lick — a short musical phrase.

Major scale — a series of eight notes in alphabetical order based on the interval sequence tone - tone - semitone - tone - tone - tone - semitone, giving the familiar sound do re mi fa so la ti do.

Melody — a group of notes of varying pitch and duration, and having a recognizable musical shape.

Metronome — a device which indicates the number of beats per minute, and which can be adjusted to any desired tempo.

Moderato — at a moderate pace.

Natural — a sign ( @ )used to cancel out the effect of a sharp or flat. The word is also used to describe the notes A, B, C, D, E, F and G; e.g., "the natural notes".

Note — a single sound with a given pitch and duration.

Octave — the distance between any given note with a set frequency, and another note with exactly double that frequency. Both notes will have the same letter name;

Open voicing — a chord that has the notes spread out between both hands on the keyboard.

Pitch — the sound produced by a note, determined by the frequency of the string vibrations. The pitch relates to a note being referred to as "high" or "low".

Plectrum — a small object (often of a triangular shape) made of plastic which is used to pick or strum the strings of a guitar, bass, mandolin or banjo.

Quarter note — a note with the value of one beat in * time, indicated thus 3 (also called a crotchet).

Quarter rest: h indicating one beat of silence.

Repeat signs — used to indicate a repeat of a section of music, by means of two dots placed before a double bar line.

Rhythm — the aspect of music concerned with duration and accent of notes.

Riff — a repeating pattern which may be altered to fit chord changes.

Semitone — the smallest interval used in conventional music. On guitar, it is a distance of one fret.

Root note — the note after which a chord or scale is named (also called "key note").

Sharp — a sign ( # ) used to raise the pitch of a note by one semitone.

Staccato — to play short and detached, indicated by a dot placed above the note.

Staff — five parallel lines together with four spaces, upon which music is written.

Syncopation — the placing of an accent on a normally unaccented beat.

Tempo — the speed of a piece.

Ternary — see form.

Tie — a curved line joining two or more notes of the same pitch, where the second note(s) is not played, but its time value is added to that of the first note.

Timbre — a quality which distinguishes a note produced on one instrument from the same note produced on any other instrument (also called "tone color"). A given note on the guitar will sound different (and therefore distinguishable) from the same note on piano, violin, flute etc. There is usually also a difference in timbre between two instruments of the same type (e.g., two pianos).

Time signature — a sign at the beginning of a piece which indicates, by means of figures, the number of beats per bar (top figure), and the type of note receiving one beat (bottom figure).

Tone — a distance of two semitones.

Transposition — the process of changing a piece of music from one key to another.

Treble — the upper regions of pitch in general.

Treble clef — a sign placed at the beginning of the staff to fix the pitch of the notes placed on it. The treble clef (also called "G clef") is placed so that the second line indicates as G note.

Peter Gelling

Peter Gelling

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Class Sessions

1- More About Harmony 2- Transposing 3- Keys and Key Signatures 4- Sixteenth Notes 5- Simple and Compound Time 6- Intervals 7- Chords 8- The Major Scale 9- Chord Inversions 10- Minor Keys And Scales 11- Tones and Semitones 12- Scale Tone Chords 13- Dynamics 14- Secondary Triads 15- Ledger Lines 16- INTRODUCTION 17- Musical Form 18- How to Read Music 19- Glossary of Musical Terms 20- The Bass Staff 21- Dotted Notes 22- More titles by LearnToPlayMusic.com 23- Swing Rhythms 24- Minor Key Scale Tone Triads 25- Seventh Chord 26- Note Values 27- G Major Chord Inversions 28- Accidentals 29- Six Eight Time ( <span class="symbolA">)</span> ) 30- Interval Qualities 31- Scale Tone Seventh Chords 32- Chord Construction – Triads 33- Syncopation 34- Learning Minor Scales in all keys 35- Chord Progressions 36- 12 Bar Blues 37- Approach to Practice 38- Primary Triads 39- Chord Functions 40- Chords in Other Minor Keys 41- The Key Cycle 42- The Notes on The Treble Staff 43- Notes on The Bass Staff 44- Bar Lines 45- The Three Four Time Signature 46- The Lead-in 47- Volume Changes 48- Sharps 49- The Octave 50- Harmonizing Melodies 51- Major Scales in All Keys 52- Enharmonic Notes 53- The Grand Staff 54- Time Signatures 55- The Two Four Time Signature 56- Transposing in Minor Keys 57- Voice Leading 58- Slurs 59- Harmony 60- Grouping Notes in Compound Time 61- Tempo Markings 62- Relative Keys 63- Interval Distances 64- Arpeggios 65- Scale Degrees 66- Double Sharps and Double Flats 67- The Chromatic Scale 68- Tempo Changes 69- Identifying Intervals By Ear 70- Rests 71- Harmonic Minor Scale Tone Chords 72- Chord Symbols 73- Grouping Eighth Notes 74- Practice Progressions 75- Flats 76- Melodies to Harmonize With Primary Triads 77- Twelve Eight Time ( <span class="symbolA">+</span> ) 78- Rhythm Notation 79- Staccato 80- C Major Scale Over Four Octaves 81- Grouping Notes And Rests 82- Ties 83- Melodic Minor Scale Tone Chords 84- Major Scale Pattern 85- Major Key Triad Pattern 86- Melodies to Harmonize 87- Cadences 88- Scale Tone Chords in All Keys 89- The G Major Scale 90- Further Study 91- Common Progressions 92- The F Major Scale 93- Other Major Scales

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