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Seventh Chord

Lesson 2/93 | Study Time: 5 Min
Course: Music Theory
Seventh Chord

Seventh Chord

By adding more notes on top of the basic triads, it is possible to create many other types of chords. After triads, the next most common chords are seventh chords. By adding another note either a major or minor third above the basic triad, five different types of seventh chords can be created. The formulas for the various types of seventh chords are shown here.

Major Seventh Chord Formula

Dominant Seventh Chord Formula

Minor Seventh Chord Formula

Minor Seven Flat Five Chord Formula

The final type of seventh chord is the diminished seventh. This chord is unusual in that it contains a double flattened 7th degree ( ~7). This note is actually the same as the 6th degree (A) but it is technically called B~7 because the interval has to be some kind of seventh rather than a sixth because the chord is a type of seventh chord.

Diminished Seventh Chord Formula

The following example demonstrates the five basic types of seventh chords built on the note C.

All of these seventh chord types are used in Jazz and other music, particularly from the Romantic era onwards. By far the most common type of seventh chord is the Dominant 7th. In a perfect cadence, chord V is more likely to be a dominant 7th than a major triad. In Blues and Jazz, a dominant 7th often ends a song rather than resolving to a major or minor ending. To learn more about the various types of 7th chords and how they can be used, see Progressive Jazz Lead Guitar Method or Progressive Funk and R&B Keyboard Technique .

Peter Gelling

Peter Gelling

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Class Sessions

1- More About Harmony 2- Transposing 3- Keys and Key Signatures 4- Sixteenth Notes 5- Simple and Compound Time 6- Intervals 7- Chords 8- The Major Scale 9- Chord Inversions 10- Minor Keys And Scales 11- Tones and Semitones 12- Scale Tone Chords 13- Dynamics 14- Secondary Triads 15- Ledger Lines 16- INTRODUCTION 17- Musical Form 18- How to Read Music 19- Glossary of Musical Terms 20- The Bass Staff 21- Dotted Notes 22- More titles by LearnToPlayMusic.com 23- Swing Rhythms 24- Minor Key Scale Tone Triads 25- Seventh Chord 26- Note Values 27- G Major Chord Inversions 28- Accidentals 29- Six Eight Time ( <span class="symbolA">)</span> ) 30- Interval Qualities 31- Scale Tone Seventh Chords 32- Chord Construction – Triads 33- Syncopation 34- Learning Minor Scales in all keys 35- Chord Progressions 36- 12 Bar Blues 37- Approach to Practice 38- Primary Triads 39- Chord Functions 40- Chords in Other Minor Keys 41- The Key Cycle 42- The Notes on The Treble Staff 43- Notes on The Bass Staff 44- Bar Lines 45- The Three Four Time Signature 46- The Lead-in 47- Volume Changes 48- Sharps 49- The Octave 50- Harmonizing Melodies 51- Major Scales in All Keys 52- Enharmonic Notes 53- The Grand Staff 54- Time Signatures 55- The Two Four Time Signature 56- Transposing in Minor Keys 57- Voice Leading 58- Slurs 59- Harmony 60- Grouping Notes in Compound Time 61- Tempo Markings 62- Relative Keys 63- Interval Distances 64- Arpeggios 65- Scale Degrees 66- Double Sharps and Double Flats 67- The Chromatic Scale 68- Tempo Changes 69- Identifying Intervals By Ear 70- Rests 71- Harmonic Minor Scale Tone Chords 72- Chord Symbols 73- Grouping Eighth Notes 74- Practice Progressions 75- Flats 76- Melodies to Harmonize With Primary Triads 77- Twelve Eight Time ( <span class="symbolA">+</span> ) 78- Rhythm Notation 79- Staccato 80- C Major Scale Over Four Octaves 81- Grouping Notes And Rests 82- Ties 83- Melodic Minor Scale Tone Chords 84- Major Scale Pattern 85- Major Key Triad Pattern 86- Melodies to Harmonize 87- Cadences 88- Scale Tone Chords in All Keys 89- The G Major Scale 90- Further Study 91- Common Progressions 92- The F Major Scale 93- Other Major Scales

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