Sixteenth Notes Combined With Sixteenth Note Triplets and Paradiddle - Diddles.
The following exercises are used mainly in a rock or eighth note rhythm. With practice however, they can also be applied in a slow to medium "Swing rhythm", to create a very dffective "Double Time" feel. Pay special attention to the accents.
The first three exercises (69,70, and 71) feature the use of the Paradiddle diddle. The accent is on the traditional first note of each Paradiddle - diddle.
A steady, even Bass drum and Hi - Hat is essential
Exercise 80 is the Double Stroke Roll in Sixteenth Note Triplet form.
Class Sessions
1- Paradiddles and Sixteenth Notes Incorporating the Bass Drum.
2- LESSON TWENTY-ONE
3- Different Styles
4- Different Beats
5- Polyrhythmic Exercises (Incorprating Sticking).
6- Two Against Three.
7- Different Cymbal Styles (As Applied to the Ride Cymbal)
8- Ride Cymbal Patterns as Applied to Jazz (Swing).
9- A Study in Triplets for Ride Cymbal, Snare and Bass.
10- A Study in Triplets for Ride Cymbal and Snare.
11- Further Studies in Independence: Swing
12- Rock and Funk Independence
13- INTRODUCTION
14- The Para Diddle-Diddle Incorporating the Bass Drum.
15- Rudiments Around the Drums Incorporating the Bass Drum.
16- The Single Paradiddle and Paradiddle - Diddle Around the Drums
17- Around the Drums With Paradiddles
18- Around the Drums With Triplets
19- Groups of Five and Seven, Plus Combinations
20- Sixteenth Notes Combined With Sixteenth Note Triplets and Paradiddle - Diddles.
21- Eight Notes and Triplets Combined With Bass and Hi - Hat.
22- Sticking
23- Combinations in Sixteenth Notes
24- Explanation of Notation