Approach to Practice

Lesson 4/76 | Study Time: 5 Min
Course: Beginner Music Theory
Approach to Practice

Approach to Practice

Regardless of the instrument you play, there are several common aspects to developing a successful practice routine. You will benefit more from several short practices (e.g. 15-30 minutes per day) than one or two long sessions per week.

This is especially so in the early stages, because of the basic nature of the material being studied and because the muscles involved in playing the instrument are still developing. It is also important to divide your time evenly between the study of new material and the revision of past work. It is a common mistake for semi-advanced students to practice only the pieces they can already play well. Although this may be more enjoyable, it is not a very satisfactory method of practice. You should also try to correct mistakes and experiment with new ideas. In order to develop a good sense of time right from the start, it is essential to practice regularly with a metronome or drum machine.

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Peter Gelling

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Class Sessions

1- Dotted Notes 2- Tones and Semitones 3- The Major Scale 4- Dynamics 5- Keys and Key Signatures 6- Transposing 7- Sixteenth Notes 8- Leger Lines 9- Simple and Compound Time 10- Intervals 11- Chords 12- INTRODUCTION 13- Note Values 14- GLOSSARY OF MUSICAL TERMS 15- Chord Inversions 16- How to Read Music 17- LESSON TWO 18- Minor Keys and Scales 19- Accidentals 20- Sharps 21- The Octave 22- Learning Minor Scales in all Keys 23- The Key Cycle 24- Chord Construction–Triads 25- G Major Chord Inversions 26- Exercises 27- Six Eight Time 28- Using the Compact Disc 29- Interval Qualities 30- Notes on the Treble Staff 31- Exercises 32- Grouping Eighth Notes 33- Volume Changes 34- Exercises 35- Bar Lines 36- Double Sharps and Double Flats 37- The Lead-in 38- Enharmonic Notes 39- Grouping Notes in Compound Time 40- Interval Distances 41- Time Signatures 42- Grouping Notes and Rests 43- The Grand Staff 44- Exercises 45- Exercises 46- Relative Keys 47- Approach to Practice 48- Major Scales in all Keys 49- Tempo Markings 50- The Chromatic Scale 51- Scale Degrees 52- Tempo Changes 53- Slurs 54- Final Exercises 55- Flats 56- Arpeggios 57- Chord Symbols 58- C Major Scale Over Four Octaves 59- Exercises 60- Rests 61- Exercises 62- Exercises 63- Staccato 64- Exercises 65- Exercises 66- Twelve Eight Time 67- Major Scale Pattern 68- Identifying Intervals by Ear 69- Exercises 70- Exercises 71- The G Major Scale 72- Ties 73- Exercises 74- The F Major Scale 75- Other Major Scales 76- Exercises

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