G Major Chord Inversions

Lesson 3/76 | Study Time: 5 Min

Course: Beginner Music Theory

G Major Chord Inversions

These three diagrams illustrate the root position (1 3 5), first inversion (3 5 1), and second inversion (5 1 3) of the G chord.

G Major Root Position

G Major First Position

G Major Second Position

Name the following inversions.

All chord types can be inverted. The following example uses the root position, first inversion, second inversion, and an octave of the root position of the C minor chord.

Here is a keyboard part making use of the first inversion of the C minor chord (Eb G C). The use of the inversion allows the root note to become the highest note in the chord.

One of the reasons inversions are so useful is that they enable you to find chord shapes which are close together on instruments such as keyboard or guitar. Here the C chord appears in root position, the F chord is in second inversion and the G chord is in first inversion. The left hand plays the root note of each chord. When you play inversions which are close together, the chord changes sound smoother and often contain common tones, e.g. the chords C and F both contain the note C.

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Class Sessions

1- Dotted Notes 2- Tones and Semitones 3- The Major Scale 4- Dynamics 5- Keys and Key Signatures 6- Transposing 7- Sixteenth Notes 8- Leger Lines 9- Simple and Compound Time 10- Intervals 11- Chords 12- INTRODUCTION 13- Note Values 14- GLOSSARY OF MUSICAL TERMS 15- Chord Inversions 16- How to Read Music 17- LESSON TWO 18- Minor Keys and Scales 19- Accidentals 20- Sharps 21- The Octave 22- Learning Minor Scales in all Keys 23- The Key Cycle 24- Chord Construction–Triads 25- G Major Chord Inversions 26- Exercises 27- Six Eight Time 28- Using the Compact Disc 29- Interval Qualities 30- Notes on the Treble Staff 31- Exercises 32- Grouping Eighth Notes 33- Volume Changes 34- Exercises 35- Bar Lines 36- Double Sharps and Double Flats 37- The Lead-in 38- Enharmonic Notes 39- Grouping Notes in Compound Time 40- Interval Distances 41- Time Signatures 42- Grouping Notes and Rests 43- The Grand Staff 44- Exercises 45- Exercises 46- Relative Keys 47- Approach to Practice 48- Major Scales in all Keys 49- Tempo Markings 50- The Chromatic Scale 51- Scale Degrees 52- Tempo Changes 53- Slurs 54- Final Exercises 55- Flats 56- Arpeggios 57- Chord Symbols 58- C Major Scale Over Four Octaves 59- Exercises 60- Rests 61- Exercises 62- Exercises 63- Staccato 64- Exercises 65- Exercises 66- Twelve Eight Time 67- Major Scale Pattern 68- Identifying Intervals by Ear 69- Exercises 70- Exercises 71- The G Major Scale 72- Ties 73- Exercises 74- The F Major Scale 75- Other Major Scales 76- Exercises

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G Major Chord Inversions