Memorizing and Visualizing

Lesson 2/52 | Study Time: 5 Min
Course: Blues Lead Guitar Method
Memorizing and Visualizing

Memorizing and Visualizing

As you can see from the variety of licks and solos throughout the book it is possible to sound quite good using just this one common pentatonic scale, but now the real fun begins! Try to memorize each solo by learning one phrase at a time and be sure to get all the techniques such as Bends and Releases, Slides, Slight Bends ( 1/4 tone), Hammer-ons, Pull-offs and Trail-offs. As well as the notes you play, it is largely how and where these techniques are used which determine how good your playing sounds.

A few useful hints for memorising solos and transcribing;

  • As you listen to a solo, close your eyes and try to picture all the notes you hear as they would appear on the fretboard. This is called visualizing.
  • Try singing along with the solo as you hear it. (Singing is the memory link between your brain and your hands.)
  • Try playing the solo by yourself in time with a metronome. l can’t stress the metronome enough, all serious students should be working with one every day.
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Peter Gelling

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Class Sessions

1- The A Form 2- Vibrato 3- Moving Between Forms 4- The Trail Off 5- New Notes, New Keys 6- The E Form 7- The D Form 8- The C Form 9- INTRODUCTION 10- The Release Bend 11- The G Form 12- The G Form 13- Moving Licks 14- Creating Variations 15- What Are These Sounds? 16- Sliding Scales 17- Sliding Pattern 2 18- Learning the Notes 19- LESSON FOUR 20- Glossary of Musical Terms 21- How to Tune Your Guitar 22- APPENDIX III 23- Right Hand Technique 24- The Pentatonic Scale 25- Picking Technique 26- The Basics of Music 27- The Slide 28- Memorizing and Visualizing 29- Along One String 30- Playin’ the Blues 31- Bending Notes 32- A New Solo 33- Visualizing 34- C Form Solo 35- Note Values 36- Sharps and Flats 37- Blues Solo 38- Vibrato With Bent Notes 39- Slight Bends 40- The Ascending Slide 41- The Hammer-On 42- Left Hand Technique 43- Progressive Blues Lead Guitar Technique 44- The Descending Slide 45- The Pull-off 46- Time Signatures 47- The Chromatic Scale 48- Diagrams 49- The Valued Slide 50- Tablature 51- Notes on the Guitar Fretboard 52- Tablature Symbols

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