This book introduces the beginner to the basics of playing Jazz Bass guitar. No previous knowledge of bass guitar playing or music is required. All music theory is gradually introduced in a very easy and clear way using over 70 examples, however, for more basic information see Introducing Bass by Stephan Richter.
You do not need to read music to use this book, however, both music and tablature notation are used to show the position of the notes on the fretboard. A metronome or a drum machine is suggested to help you develop your rhythm and keep time. The emphasis of this book is to get the student to play interesting music on the bass, and even the early exercises sound great!
As the bass player is part of the rhythm section, it is essential to play together as often and as soon as possible with other instruments, especially drums. Chord symbols are placed above some examples so that a guitarist can play along with the bass guitar.
Note that the fingering is only a possible suggestion. It is often a personal choice as to what feels more natural or comfortable, so in some instances you may want to change the fingering to suit your playing style. The standard fingering on a bass is one finger per fret.
It is important to have a correct approach to practice. You will benefit from several short practices (e.g., 15-30 minutes per day) than one or two long sessions per week. This is especially so in the early stages, because of the basic nature of the material being studied. In a practice session you should divide your time evenly between the study of new material and the revision of past work.
It is a common mistake for semi-advanced students to practice only the pieces they can already play well. Although this is more enjoyable, it is not a very satisfactory method of practice. You should also endeavour to correct mistakes and experiment with new ideas.
You should combine the study of this book with constant experimentation and listening to other players. It is the author’s belief that the guidance of an experienced teacher will be an invaluable aid in your progress.
Stephan Richter obtained his degree in Classical Music (Cello major) at the Zurich Conservatorium of Music in Switzerland. He studied further in New York on Electric Bass with Rick Laird and Tony Oppenheim. He currently works as a session musician and teacher.
Stephan is also the author of:
- Progressive Slap Technique for Bass
- Progressive Tapping Technique for Bass
- Progressive Metal Bass Method
- Progressive Metal Bass Technique
- Progressive Metal Bass Licks Volume 1
- Progressive Metal Bass Licks Volume 2
- Progressive Bass Licks
- Introducing Bass
- Progressive Rhythm Section Method
- Progressive Rhythm Section Grooves
- Progressive Blues Bass
- Progressive Blues Bass Licks
- Progressive Rock Bass
- Progressive Rock Bass Licks
- Progressive Country Bass Method
