Any change to these basic intervals (e.g., min 3rd = bIII), has to be indicated by a sharp ( # ) or a flat ( b ).
Here are the most basic arpeggio patterns of the six chord types discussed in Section 1.
Remember that all intervals and arpeggio patterns can be played anywhere on the neck of the bass, as well as being transposed onto the different strings, for example, from the 3rd string down to the 4th string. Make sure you are thoroughly familiar with the basic structure of all the material explained so far, as it forms the foundation of any other interval, chord or scale.