Turnarounds
The following examples combine the chords from Lesson 2 together with the chords outlined in lesson three. The diminished chord in Example 62 links the first bar together with the 3rd bar. The #5 on the dominant chord adds a different color to the chord.
Example 63 uses the half diminished chord followed by the augmented dominant seventh chord which is quite common in a minor key.
Here the suspended chord is used in conjunction with the dominant chord.
Example 65 is a Rock–Jazz riff over a suspended F chord.
The next two chord progressions use the concept of moving in 5ths down from one bar to the next which is similar to the principle of the Cycle of Fifths.
Example 66 uses all the scale tone chords in the key of C major.
Example 67 uses a similar concept as the previous example, using mainly scale tone chords in the key of G minor.
