The slur is one of the most popular techniques used by lead guitarists. It is indicated by a curved line joining the notes in question, as such:
The Hammer-on is performed by playing the first of the two notes, and then while it is still sounding, the left hand finger hammers down onto the 2nd note (see photos). Thus the second note (D) is not picked; the sound is produced entirely by the left hand finger "hammering-on" to the string. A hammer-on is indicated by the letter H.
The Pull-off is performed with both fingers in position before the first note is played (see photos). This is necessary because when the first note (D) has been played, the finger flicks the string as it lifts off; creating the sound of the lower note (C). The following example makes use of both hammer-ons and pull-offs. A pull-off is indicated by the letter P.
Hammer-ons and pull-offs may be played together, as in the following exercise. This exercise is continuous and only the first note in each bar is played with the pick. It involves rapid slurring and can be used for any two notes from pattern one which are on the same string.
The previous exercises can be referred to as Rock "licks". Rock licks can be defined as small musical phrases that are frequently used by lead guitarists. They involve the use of techniques such as the slur. It is most important for you to learn as many licks as possible and listen for their use in lead solos (see Appendix 4 on ear training). In the following lessons, many common licks will be shown.
Techniques can be combined to create interesting Rock licks. The following exercises use triplets in conjunction with slurs.
For exercise 29 the first finger bars across the 2nd, 3rd and 4th strings.
Play the 3 previous exercises in the following order: Ex29 Ex30 Ex31 Ex30
The following exercise consists of several licks joined together to form a solo. This solo is played over a minor chord progression. Using pattern one in minor keys is discussed in detail in lesson 12.