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12 Bar Blues and Seventh Chords

Lesson 2/81 | Study Time: 5 Min
12 Bar Blues and Seventh Chords

12 Bar Blues and Seventh Chords

12 Bar Blues (as well as any chord progression) can be played in any key. The following 12 Bar Blues is in the key of A major. When a song is said to be in the key of A major, it means that the most important chord (and usually the first chord) is the A chord.

E Seventh Chord

E7

To play the E7 chord, use the first and second fingers of your left hand as shown in the diagram, and strum all six strings. The E7 chord shape is the same as the E chord shape with the third finger lifted off.

The next chord progression contains an E7 chord and uses the eighth note rhythm pattern (introduced in Lesson 6, Exercise 22).

When changing between D and E7 use your first finger as a slide finger. When changing between A and D use your first finger as a pivot.

A Seventh Chord

A7

To play the A7 chord, use the second and third fingers of your left hand as shown in the diagram, and strum all six strings. The A7 chord shape is the same as the A chord shape with the first finger lifted off.

This progression contains an A7 chord and uses the eighth note rhythm pattern (introduced in Lesson 6, Exercise 27). When changing between D7 and G use your third finger as a slide finger.

Martin Dreadnought

Know your Guitars…

In the early part of the 20th century, guitar manufacturer C.F. Martin released an acoustic guitar with a larger, deeper body than most existing guitars. Around the same time, the British navy launched a battleship that was so big it would fear nothing. It was called "HMS Dreadnought". Martin thought this would be a good name for his new guitar. The guitar sounded great and the name caught on. Today, the dreadnought is the most commonly used type of acoustic guitar in the world.

Here is a 12 Bar Blues melody accompanied by the new chords you have just learned.

A repeat sign in the final bar indicates that the song must be played again from the beginning. Repeat signs can also be used at the end of a section. In this song the repeat sign at the end of bar 4 indicates a repeat of the first four bars.

Gary Turner and Brenton White

Gary Turner and Brenton White

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Class Sessions

1- Sharps 2- 12 Bar Blues 3- Third String Notes 4- Eighth Note Rhythms 5- A Major Chord 6- 12 Bar Blues and Seventh Chords 7- INTRODUCTION 8- Fourth String Notes 9- Fifth String Notes 10- F Major Chord 11- Rests 12- Sixth String Notes 13- Eighth Notes 14- B Minor Chord 15- Minor Chords 16- Flats 17- Silent Strums and Continuous Rhythm 18- Dotted Quarter Notes 19- Suspended Chords 20- More on Bass Note Rhythm Patterns 21- The Major Scale 22- The G Major Scale 23- The F Major Scale 24- The Eighth Rest 25- Tuning 26- Chord Chart 27- GLOSSARY OF MUSICAL TERMS 28- LESSON THREE 29- First String Notes 30- Second String Notes 31- Syncopation 32- Key Signatures 33- The Key of C Major 34- Alternate Bass Note Picking 35- Silent Strum Symbols 36- Open Position Notes 37- First and Second Endings 38- Tuning Hints 39- Alternate Picking 40- The Common Time Signature 41- Turnaround Progressions 42- Note Summary 43- The Tie 44- Other Titles In This Range 45- Three Four Time Rhythm Patterns 46- The Octave 47- Right Hand Support 48- The Lead-In 49- The C Major Chord 50- Note Summary 51- The Whole Note 52- Note Summary 53- Rhythm Variations 54- Slide Finger 55- Duets 56- Pick Technique 57- The Seventh Chord 58- Electronic Tuners 59- Alternative Chord Fingerings 60- Approach to Practice 61- Bass Note Rhythm Pattern 62- Pivot Finger 63- Electronic Tuner 64- Acoustic Guitars 65- Rhythm Patterns 66- Electric Guitars 67- Open Chord Shapes 68- Amplifiers 69- Strings 70- Seating 71- Standing 72- Right Hand and Arm Using the Pick 73- Right Arm Position 74- The Rudiments of Music 75- Note Values 76- The Tie 77- Time Signatures 78- Count, Pick and Fingering Symbols 79- Chord Diagrams 80- Left Hand Fingering 81- Rhythm Symbols

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