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GLOSSARY OF MUSICAL TERMS

Lesson 2/81 | Study Time: 5 Min
GLOSSARY OF MUSICAL TERMS

Accidental — a sign used to show a temporary change in pitch of a note (i.e., sharp#, flatb, double sharp!, double flat bb, or natural @). The sharps or flats in a key signature are not regarded as accidentals.

Ad lib — to be played at the performer’s own interpretation.

Allegretto — moderately fast.

Allegro — fast and lively.

Anacrusis — a note or notes occurring before the first bar of music (also called "lead-in" or "pick-up" notes).

Andante — an easy walking pace.

Arpeggio — the playing of a chord one note at a time.

Bar — a division of music occurring between two bar lines (also called a "measure").

Bar chord — a chord played with one finger lying across four or more strings.

Barline — a vertical line drawn across the staff which divides the music into equal sections called bars.

Bass — the lower regions of pitch in general. On keyboard, the notes to the left of the keyboard.

Capo — a device placed across the neck of a guitar to allow a key change without alteration of the chord shapes.

Chord — a combination of three or more different notes played together.

Chord progression — a series of chords played as a musical unit (e.g., as in a song).

Chromatic scale — a scale ascending and descending in semitones.

e.g., C chromatic scale:

Clef — a sign placed at the beginning of each staff of music which fixes the location of a particular note on the staff, and hence the location of all other notes, e.g.,

Coda — an ending section of music, represented by the sign v

Common time — an alternate indication of * time — four quarter note beats per bar (also indicated by Q)

D.C. al fine — a repeat from the sign (indicated thus V) to the word "fine".

Duration — the time value of each note.

Dynamics — the varying degrees of softness (indicated by the term "piano") and loudness (indicated by the term "forte") in music.

Eighth note — a note with the value of half a beat in * time, indicated thus 5 (also called a quaver).

The eighth note rest — indicating half a beat of silence is written: j

Enharmonic — describes the difference in notation and name, but not in pitch, of two notes: e.g.,

Fermata — a sign, ? , used to indicate that a note or chord is held to the player’s own discretion (also called a "pause sign").

First and second endings — signs used where two different endings occur. On the first time through ending one is played (indicated by the bracket Z); then the progression is repeated and ending two is played (indicated X).

Flat — a sign, (b) used to lower the pitch of a note by one semitone.

Forte — loud. Indicated by the sign f

Half note — a note with the value of two beats in * time, indicated thus: 1 (also called a minim).The half note rest, indicating two beats of silence, is written:g on the third staff line.

Harmonics — a chime-like sound created by lightly touching a vibrating string at certain points along the fretboard.

Harmony — the simultaneous sounding of two or more different notes.

Improvise — to make up a musical part as you play; i.e., not from memory or from a written copy.

Interval — the distance between any two notes of different pitches.

Key — describes the notes used in a composition in regards to the major or minor scale from which they are taken; e.g., a piece "in the key of C major" describes the melody, chords, etc., as predominantly consisting of the notes, C, D, E, F, G, A, and B — i.e., from the C scale.

Key signature — a sign placed at the beginning of each stave of music, directly after the clef, to indicate the key of a piece. The sign consists of a certain number of sharps or flats, which represent the sharps or flats found in the scale of the piece’s key. For Example:

indicates a scale with F# and C#, which is D major; D E F# G A B C# D. Therefore the key is D major (or its relative minor, B minor).

Lead-In — same as anacrusis (also called a pick-up).

Ledger lines — small horizontal lines upon which notes are written when their pitch is either above or below the range of the staff, e.g.,

Legato — smoothly, well connected.

Lyrics — words that accompany a melody.

Major scale — a series of eight notes in alphabetical order based on the interval sequence tone - tone - semitone - tone - tone - tone - semitone, which gives the familiar sound do re mi fa so la ti do.

Melody — a succession of notes of varying pitch and duration which has a recognizable musical shape.

Metronome — a device which provides a constant audible beat that can be adjusted to the desired tempo.

Metronome Mark — or "Maelzel Metronome", indicates the tempo of a piece in number of beats per minute. For example, 3 = 60 — indicates 60 quarter note beats per minute.

Moderato — at a moderate pace.

Natural — a sign (@) used to cancel out the effect of a sharp or flat. The word is also used to describe the notes A, B, C, D, E, F and G; e.g., "the natural notes".

Notation — the written representation of music, by means of symbols (music on a staff), letters (as in chord and note names) and diagrams (as in chord illustrations.)

Note — a single sound with a given pitch and duration.

Octave — the distance between any given note with a set frequency, and another note with exactly double that frequency. Both notes will have the same letter name.

Open chord — a chord that contains at least one open string, and is played in open position.

Pitch — the sound produced by a note, determined by the frequency of the string vibrations. The pitch relates to a note being referred to as "high" or "low".

Plectrum — a small object (often of a triangular shape) made of plastic which is used to pick or strum the strings of a guitar.

Position — a term used to describe the location of the left hand on the fret board. The left hand position is determined by the fret location of the first finger, e.g., The 1st position refers to the 1st to 4th frets. The 3rd position refers to the 3rd to 6th frets and so on.

Quarter note — a note with the value of one beat in * time, indicated thus 3 (also called a crotchet). The quarter note rest, indicating one beat of silence, is written: h

Repeat signs — in music, used to indicate a repeat of a section of music, by means of two dots placed before a double bar line:

In chord progressions, a repeat sign C, indicates an exact repeat of the previous bar.

Rhythm — the natural pattern of strong and weak pulses in a piece of music.

Riff — a pattern of notes that is repeated throughout a progression or song.

Root note — the note after which a chord or scale is named.

Scale Tone Chords — chords which are constructed from notes within a given scale.

Semitone — the smallest interval used in conventional music. On guitar, it is a distance of one fret.

Sharp — a sign (#) used to raise the pitch of a note by one semitone.

Simple time — occurs when the beat falls on an undotted note, which is thus divisible by two.

Sixteenth note — a note with the value of a quarter of a beat in * time, indicated as such 0 (also called a semiquaver).

The sixteenth note rest, indicating a quarter of a beat of silence, is written: k

Slide — a technique which involves a finger moving along the string to its new note. The finger maintains pressure on the string, so that a continuous sound is produced.

Slur — sounding a note by using only the left hand fingers. (An ascending slur is also called a "hammer on" a descending slur is also called a "pull off.")

Staccato — to play short and detached. Indicated by a dot placed above or below a note:x

Staff — five parallel lines together with four spaces, upon which music is written.

Syncopation — the placing of an accent on a normally unaccented beat, e.g.,

Tablature — a system of writing music which represents the position of the player’s fingers (not the pitch of the notes, but their position on the guitar). A chord diagram is a type of tablature. Notes can also be written using tablature as follows:

Tempo — the speed of a piece.

Tie — a curved line joining two or more notes of the same pitch, where the second note(s) is not played, but its time value is added to that of the first note.

Timbre — a quality which distinguishes a note produced on one instrument from the same note produced on any other instrument (also called "tone color"). A given note on the guitar will sound different (and therefore distinguishable) from the same pitched note on piano, violin, flute etc. There is usually also a difference in timbre from one guitar to another.

Time signature — a sign at the beginning of a piece which indicates, by means of figures, the number of beats per bar (top figure), and the type of note receiving one beat (bottom figure).

Tone — a distance of two semitones; the equivalent of two frets.

Transposition — the process of changing music from one key to another.

Treble — the upper regions of pitch in general.

Treble clef — a sign placed at the beginning of the staff to fix the pitch of the notes placed on it. The treble clef (also called "G clef") is placed so that the second line indicates a G note.

Tremolo (pick motion) — a technique involving rapid pick movement on a given note.

Triplet — a group of three notes played in the same time as two notes of the same kind.

Vibrato — a technique which involves pushing a string up and down, like a rapid series of short bends.

Wedge mark — indicates pick direction, e.g.,t= down pick, y = up pick

Whole note — a note with the value of four beats in * time, indicated thus ` (also called a semibreve).

Gary Turner and Brenton White

Gary Turner and Brenton White

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Class Sessions

1- Sharps 2- 12 Bar Blues 3- Third String Notes 4- Eighth Note Rhythms 5- A Major Chord 6- 12 Bar Blues and Seventh Chords 7- INTRODUCTION 8- Fourth String Notes 9- Fifth String Notes 10- F Major Chord 11- Rests 12- Sixth String Notes 13- Eighth Notes 14- B Minor Chord 15- Minor Chords 16- Flats 17- Silent Strums and Continuous Rhythm 18- Dotted Quarter Notes 19- Suspended Chords 20- More on Bass Note Rhythm Patterns 21- The Major Scale 22- The G Major Scale 23- The F Major Scale 24- The Eighth Rest 25- Tuning 26- Chord Chart 27- GLOSSARY OF MUSICAL TERMS 28- LESSON THREE 29- First String Notes 30- Second String Notes 31- Syncopation 32- Key Signatures 33- The Key of C Major 34- Alternate Bass Note Picking 35- Silent Strum Symbols 36- Open Position Notes 37- First and Second Endings 38- Tuning Hints 39- Alternate Picking 40- The Common Time Signature 41- Turnaround Progressions 42- Note Summary 43- The Tie 44- Other Titles In This Range 45- Three Four Time Rhythm Patterns 46- The Octave 47- Right Hand Support 48- The Lead-In 49- The C Major Chord 50- Note Summary 51- The Whole Note 52- Note Summary 53- Rhythm Variations 54- Slide Finger 55- Duets 56- Pick Technique 57- The Seventh Chord 58- Electronic Tuners 59- Alternative Chord Fingerings 60- Approach to Practice 61- Bass Note Rhythm Pattern 62- Pivot Finger 63- Electronic Tuner 64- Acoustic Guitars 65- Rhythm Patterns 66- Electric Guitars 67- Open Chord Shapes 68- Amplifiers 69- Strings 70- Seating 71- Standing 72- Right Hand and Arm Using the Pick 73- Right Arm Position 74- The Rudiments of Music 75- Note Values 76- The Tie 77- Time Signatures 78- Count, Pick and Fingering Symbols 79- Chord Diagrams 80- Left Hand Fingering 81- Rhythm Symbols

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