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INTRODUCTION

Lesson 2/80 | Study Time: 5 Min
INTRODUCTION

INTRODUCTION

The unmistakable style that is Ragtime has been around for over 100 years but only recently guitar players really entered the unique world of Ragtime. Ragtime started in the 1880s. The tunes were written for piano and Ragtime bands which consisted of tubas, cornets and vibraphones.

Who would have thought that the music later would be adapted so comfortably to the six string guitar? Ragtime was the beginning of Jazz and later influenced all music which developed throughout the 1900s.

The 1920s introduced to us guitar players such as the Reverend Gary Davis, Blind Blake and Mississippi John Hurt. These players all had a strong Ragtime influence although their style did lean towards Blues. The 1960s and '70s presented guitar players like Leo Kottke, John Fahey, Stefan Grossman and many others, all of whom explored the wonderful world of Ragtime guitar.

Although it may appear to be up tempo and gay, ragtime should be played with a slight classical feel. Scott Joplin who is undoubtedly the father of Ragtime said, "Ragtime should never be played fast". Do not play Ragtime fast. Play it a little slower and enjoy each melodic phrase.

Progressive Ragtime Fingerpicking Guitar Method teaches all the popular left and right hand techniques used in traditional and contemporary Ragtime fingerpicking guitar. As you work your way through the book the progressions and basic fingerpicking styles are expanded upon with the introduction of many left hand and right hand techniques.

The final section in the book includes several classic Ragtime fingerpicking solos that make use of all the techniques that were introduced throughout the book. Many appendices are included at the back of the book covering scales, keys and chord construction.

It will be helpful to already have a basic knowledge of guitar before you tackle the examples in this book. Progressive Fingerpicking Guitar is recommended as an introductory manual to this book.

All examples are fun to play and sound great, as well as being authentic and informative. At the completion of this book you will have a thorough knowledge of fingerpicking Ragtime guitar and will be able to make some great sounds in a fairly short time.

Electronic Tuner

The easiest and most accurate way to tune your guitar is by using an electronic tuner. An electronic tuner allows you to tune each string individually to the tuner, by indicating whether the notes are sharp (too high) or flat (too low). If you have an electric guitar you can plug it directly in to the tuner. If you have an acoustic guitar, the tuner will have an inbuilt microphone.

There are several types of electronic guitar tuners but most are relatively inexpensive and simple to operate. Tuning using other methods is difficult for beginning guitarists and it takes many months to master, so we recommend you purchase an electronic tuner, particularly if you do not have a guitar teacher or a friend who can tune it for you.

Also if your guitar is way out of tune you can always take it to your local music store so they can tune it for you. Once a guitar has been tuned correctly it should only need minor adjustments before each practice session.

Brett Duncan

Brett Duncan

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Class Sessions

1- INTRODUCTION 2- Glossary of Musical Terms 3- Fingerpicking Technique 4- Scales 5- Classic Rags 6- Building a Rag 7- Ragtime Rhythms and Bass Lines 8- Ragtime Basics 9- Tablature 10- Natural Notes 11- Octaves 12- Adding Extra Notes to a Chord 13- The <span class="symbolA">%</span> Time Signature 14- Alternating Thumb Style 15- Playing Position 16- Stoptime Rags 17- Simple Notation 18- Basic G Chord Licks 19- Hand Technique 20- The Chromatic Scale 21- Picking Patterns 22- Tablature Symbols 23- The A Chromatic Scale 24- Chord Diagrams Used in This Book 25- Fingerpicking Pattern One 26- Picking the Strings 27- Basic C Chord Licks 28- Cut Time 29- The Major Scale 30- Picking With the Fingers - The Free Stroke 31- Basic D Chord Licks 32- The Cut Time Bass Line 33- Changing Chords 34- Basic E Chord Licks 35- Picking With the Thumb 36- Dropping the Last Note Before a Chord Change 37- The Minor Scale 38- Using The <em>a</em> Finger 39- The Major Pentatonic Scale 40- Picking Multiple Notes 41- Finger Names and Numbers 42- Using an Open String to Change Chords 43- Basic A Chord Licks 44- Syncopation 45- The Blues Scale 46- Sixteen Bar Ragtime Chord Progression 47- First Position - Right Hand 48- F Chord Licks - Root Six Major Bar Chord 49- Keys and Key Signatures 50- Fingerpicking Pattern Two 51- B Chord Licks - Root Five Major Bar Chord 52- Second Position - Right Hand 53- Syncopated Chord Changes 54- The Pinch 55- Relative Keys 56- Syncopated Melody 57- Bracing The Right Hand 58- The Hammer-On 59- Fingerpicking Patterns Three and Four 60- The Pull-Off 61- Lead-In Bass Notes 62- Learning all the Keys 63- The Slide 64- Diminished Chords 65- Bass Runs 66- How Chords Are Formed 67- Ragtime Songs - Fingerpicking a Melody 68- The Major Scale 69- Swing Rhythm 70- Fingerpicking Patterns Five and Six 71- Second Position - Right Hand 72- Chord Construction 73- Combining a Melody and Bass Line 74- Alternative Chord Fingerings 75- Chord Formula Chart 76- D Chord 77- Chord Symbols and Alternatives 78- D Seventh Chord 79- Root Six Bar Chords 80- Root Five Bar Chords

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