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Learning all the Keys

Lesson 12/80 | Study Time: 5 Min
Learning all the Keys

Learning all the Keys

The term "key" describes the central note around which a piece of music is based. For example, a piece of music in the key of C would derive its notes and chords from a C major scale. A piece of music in the key of A would derive its notes and chords from the A major scale, and so on. After you have learned a scale or mode in one key, it is a good idea to practice playing in every key.

E and A are fairly common keys for guitar, but if you are playing with a singer, you would have to play in whatever key suits their particular voice. That could be F# or Db for example. Piano players tend to like the keys of C, F and G, and horn players like flat keys such as F, Bb and Eb. So, you can see there are good reasons for learning to play equally well in every key.

A good way to learn to play in all keys is to use the key cycle (also called the cycle of 5ths or cycle of 4ths). It contains the names of all the keys and is fairly easy to memorize.

Think of the key cycle like a clock. Just as there are 12 points on the clock, there are also 12 keys. C is at the top and it contains no sharps or flats. Moving around clockwise you will find the next key is G, which contains one sharp (F# ). The next key is D, which contains two sharps (F# and C# ).

Progressing further through the sharp keys each key contains an extra sharp, with the new sharp being the 7th note of the new key, the other sharps being any which were contained in the previous key. Therefore the key of A would automatically contain F# and C# which were in the key of D, plus G# which is the 7th note of the A major scale.

As you progress around the cycle, each key introduces a new sharp. When you get to F# (at 6 o’clock), the new sharp is called E# which is enharmonically the same as F. Enharmonic means two different ways of writing the same note. Another example of enharmonic spelling would be F# and Gb. This means that Gb could become the name of the key of F#. The key of F# contains six sharps, while the key of Gb contains six flats.

If you start at C again at the top of the cycle and go anti-clockwise you will progress through the flat keys. The key of F contains one flat (Bb), which then becomes the name of the next key around the cycle. In flat keys, the new flat is always the 4th degree of the new key. Continuing around the cycle, the key of Bb contains two flats (Bb and Eb) and so on.

Brett Duncan

Brett Duncan

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Class Sessions

1- INTRODUCTION 2- Glossary of Musical Terms 3- Fingerpicking Technique 4- Scales 5- Classic Rags 6- Building a Rag 7- Ragtime Rhythms and Bass Lines 8- Ragtime Basics 9- Tablature 10- Natural Notes 11- Octaves 12- Adding Extra Notes to a Chord 13- The <span class="symbolA">%</span> Time Signature 14- Alternating Thumb Style 15- Playing Position 16- Stoptime Rags 17- Simple Notation 18- Basic G Chord Licks 19- Hand Technique 20- The Chromatic Scale 21- Picking Patterns 22- Tablature Symbols 23- The A Chromatic Scale 24- Chord Diagrams Used in This Book 25- Fingerpicking Pattern One 26- Picking the Strings 27- Basic C Chord Licks 28- Cut Time 29- The Major Scale 30- Picking With the Fingers - The Free Stroke 31- Basic D Chord Licks 32- The Cut Time Bass Line 33- Changing Chords 34- Basic E Chord Licks 35- Picking With the Thumb 36- Dropping the Last Note Before a Chord Change 37- The Minor Scale 38- Using The <em>a</em> Finger 39- The Major Pentatonic Scale 40- Picking Multiple Notes 41- Finger Names and Numbers 42- Using an Open String to Change Chords 43- Basic A Chord Licks 44- Syncopation 45- The Blues Scale 46- Sixteen Bar Ragtime Chord Progression 47- First Position - Right Hand 48- F Chord Licks - Root Six Major Bar Chord 49- Keys and Key Signatures 50- Fingerpicking Pattern Two 51- B Chord Licks - Root Five Major Bar Chord 52- Second Position - Right Hand 53- Syncopated Chord Changes 54- The Pinch 55- Relative Keys 56- Syncopated Melody 57- Bracing The Right Hand 58- The Hammer-On 59- Fingerpicking Patterns Three and Four 60- The Pull-Off 61- Lead-In Bass Notes 62- Learning all the Keys 63- The Slide 64- Diminished Chords 65- Bass Runs 66- How Chords Are Formed 67- Ragtime Songs - Fingerpicking a Melody 68- The Major Scale 69- Swing Rhythm 70- Fingerpicking Patterns Five and Six 71- Second Position - Right Hand 72- Chord Construction 73- Combining a Melody and Bass Line 74- Alternative Chord Fingerings 75- Chord Formula Chart 76- D Chord 77- Chord Symbols and Alternatives 78- D Seventh Chord 79- Root Six Bar Chords 80- Root Five Bar Chords

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