USD ($)
$
United States Dollar
Euro Member Countries
¥
China Yuan Renminbi
$
Australia Dollar
R$
Brazil Real
лв
Bulgaria Lev
$
Canada Dollar
$
Chile Peso
$
Colombia Peso
Czech Republic Koruna
£
Egyptian Pound
Ft
Hungary Forint
India Rupee
Rp
Indonesia Rupiah
Israel Shekel
¥
Japan Yen
Kazakhstani Tenge
kr
Denmark Krone
$
Hong Kong Dollar
£
United Kingdom Pound
Korea (South) Won
$
New Zealand Dollar
Russia Ruble
Viet Nam Dong
د.إ
United Arab Emirates dirham
CHF
Switzerland Franc
kr
Sweden Krona
kr
Norway Krone
$
Singapore Dollar
R
South Africa Rand
$
Mexican Peso
Turkey Lira

Anticipation

Lesson 5/31 | Study Time: 5 Min
Anticipation

Anticipation

An anticipation is where a downbeat is displaced by the preceding offbeat, e.g.

Examples 27

Bass Part - Beat 1, bar 2 is anticipated in this example.

Drum Part - The hi-hat is opened on beat '4 a' bar 1, to emphasise the anticipation played in the bass line.

Examples 28

Bass Part - The shuffle rhythm is broken by rests in this example.

Drum Part - A quarter note ride cymbal pattern is played in this example. The shuffle feel is created with the bass drum.

If the first note of a group of three eighth note triplets is (1) tied to another note or (2) replaced by an eighth note triplet rest, then the following two rhythmical figures are produced.

Examples 29

Bass Part - The first rhythmical figure listed above, is introduced in this example.

Drum Part - The right hand is playing a more complex syncopated rhythm in this example. The ride cymbal bell is played and accented on beats '1' and '2 a'

Examples 30

Bass Part - This example is a rhythmical variation of example 29. The only difference is the length of beat '2 a'

Drum Part - Rhythmical figure No. 2 (listed at the top of this page), is 30 introduced into the bass drum part of this example.

Examples 31

Bass Part - This bass line is an example of a slow blues or ballad.

Drum Part - As the tempo of this groove would be quite slow, three eighth notes in a row are played at certain points in the bass drum part which synchronise with the bass line.

The following two rhythmical variations replace the last note of a group of three eighth note triplets with (1) The holding over of beat '4'(2) An eighth note triplet rest.

Examples 32

Bass Part - The first rhythmical figure listed above is introduced in this example. Remember to play the accented notes (>) louder.

Drum Part - The crash cymbal is used to accent the corresponding notes from the bass line.

If the second note onfy of a group of eighth note trip/efs is played, the following rhythmical figure is produced:

If beat is a quarter note triplet, then is produced.

Examples 33

Bass Part - The second rhythmical figure listed above is introduced (on beat '4 +' , bar 1) in this example.

Drum Part - The co-ordination of bass drum and hi-hat parts is quite difficult in this example. Listening to the recording could be of benefit here.

GDPR

When you visit any of our websites, it may store or retrieve information on your browser, mostly in the form of cookies. This information might be about you, your preferences or your device and is mostly used to make the site work as you expect it to. The information does not usually directly identify you, but it can give you a more personalized web experience. Because we respect your right to privacy, you can choose not to allow some types of cookies. Click on the different category headings to find out more and manage your preferences. Please note, that blocking some types of cookies may impact your experience of the site and the services we are able to offer.