Sixteenth Note Syncopations, Triplets and Ghost Notes
The following two examples combine sixteenth note syncopations and triplets. Listen carefully to the recording to get the right timing for these grooves.
The ghost note (X) is introduced in the next example. This is a note which has no distinguishable pitch, normally achieved by muting a string with your left hand while playing it.
Lick 74 and 75 use short attacks on some notes, indicated by a dot. These notes should be stopped immediately after playing. This technique is called staccato playing.
Class Sessions
1- Slapping Technique
2- Eighth Note Grooves
3- Odd Times
4- INTRODUCTION
5- The Bass Guitar
6- SECTION TWO: <br> ROCK PROGRESSIONS AND ADVANCED RHYTHMS
7- Rock Blues Feel in <span class="symbolA">)</span> Time
8- Tapping Technique
9- Runs and Arpeggios
10- The Bass Amp System
11- Quarter/Eighth Note Combinations, Rests
12- Notation
13- Sixteenth Note Grooves
14- Sounds and Effects
15- Triplet Grooves
16- 12 Bar Bassline (8th Note Groove) in G
17- Symbols and Abbreviations
18- Playing in a Band
19- 8 Bar Bassline (16th Note Groove) in Cm
20- Sixteenth Note Syncopations, Triplets and Ghost Notes
21- Syncopated Grooves
22- 8 Bar Bassline (Triplet/Shuffle Groove) in Am
23- More Triplet Variations, Shuffle Grooves
24- More Triplet Combinations