More Triplet Variations, Shuffle Grooves
The following two examples use the shuffle rhythm. This rhythm is created by not playing the middle note of each triplet. Listen carefully to the recording to get the right feel for this rhythm.
The remaining examples in this section use a combination of techniques and rhythms that have been introduced throughout the book.
The next example introduces vibrato (). This technique is controlled with the left hand finger which is fretting the note. As the finger frets the note move the finger rapidly back and forth in the direction of the adjacent strings.
For more information on rhythm studies in detail see Progressive Rhythm Section Method and Grooves by Stephan Richter and Craig Lauritsen.
Class Sessions
1- Slapping Technique
2- Eighth Note Grooves
3- Odd Times
4- INTRODUCTION
5- The Bass Guitar
6- SECTION TWO: <br> ROCK PROGRESSIONS AND ADVANCED RHYTHMS
7- Rock Blues Feel in <span class="symbolA">)</span> Time
8- Tapping Technique
9- Runs and Arpeggios
10- The Bass Amp System
11- Quarter/Eighth Note Combinations, Rests
12- Notation
13- Sixteenth Note Grooves
14- Sounds and Effects
15- Triplet Grooves
16- 12 Bar Bassline (8th Note Groove) in G
17- Symbols and Abbreviations
18- Playing in a Band
19- 8 Bar Bassline (16th Note Groove) in Cm
20- Sixteenth Note Syncopations, Triplets and Ghost Notes
21- Syncopated Grooves
22- 8 Bar Bassline (Triplet/Shuffle Groove) in Am
23- More Triplet Variations, Shuffle Grooves
24- More Triplet Combinations