More on Modes and Chords
In Jazz, Blues, Funk, Rock, Latin and many other styles there are chords used which contain more than three notes. By taking a triad and adding other notes on top of it, a variety of other chords can be created. The most common of these are seventh chords.
A seventh chord can be created by adding the seventh note of a mode to the basic triad. The type of seventh chord this creates will depend on the notes contained in both the mode it is derived from and the basic triad. This can be confusing at first, so it is worth looking at the theory of chords and modes to identify the basic principles of chord and mode construction.
Class Sessions
1- INTRODUCTION
2- Learning the Keys
3- The Major Scale
4- Minor Pentatonic Scale
5- Harmonic Minor Scale
6- Mode Formulas
7- Fretboard Diagrams
8- Relative Keys
9- Minor Pentatonic in Five Forms
10- Harmonic Minor in Five Forms
11- Movable Fingerings
12- C Major Scale in Open Position
13- Tablature
14- Dorian Mode
15- Licks Using the Minor Pentatonic
16- Preparation for Modes
17- Licks Using the Harmonic Minor
18- Melodic Minor Scale
19- Tablature Symbols
20- Blues Scale
21- Modes
22- Licks Using the Dorian Mode
23- Blues Scale in Five Forms
24- Scale Tone Chords
25- Phrygian Mode
26- Melodic Minor in Five Forms
27- More on Modes and Chords
28- Licks Using the Blues Scale
29- Licks Using the Phrygian Mode
30- Licks Using the Melodic Minor
31- The Chromatic Scale
32- Major Pentatonic Scale
33- Lydian Mode
34- Sequences
35- Licks Using the Lydian Mode
36- Major Pentatonic in Five Forms
37- Mixolydian Mode
38- Licks using the Major Pentatonic
39- Whole Tone Scale
40- Licks Using the Mixolydian Mode
41- Movable Fingerings
42- Aeolian Mode
43- Licks Using the Aeolian Mode
44- Diminished Scale
45- Locrian Mode
46- Movable Fingerings
47- Licks Using the Locrian Mode
48- Jam along Progressions