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Developing Your Music Reading

Lesson 8/69 | Study Time: 5 Min
Developing Your Music Reading

Developing Your Music Reading

Because it is possible to play in all keys on the chromatic harmonica, it is possible to play a lot of music which could not be played on a diatonic harmonica. Some music can be learned simply by listening to recordings and imitating what you hear. However, recordings only began in the 20th century and there is a whole world of great music written before the 20th century which is unavailable to you if you can’t read music.

Even where there are recordings, as music becomes more complex it is harder to learn by ear. If you can read music well, you can often learn a new piece of music in a very short time. This ability allows musicians to play easily with a new group they have never played with before by the use of "charts" which contain the melody and chord changes to songs. If you intend to play Jazz or Classical music, it is essential to develop your ability to read and understand music in all keys.

The first step in developing this ability is learning to read scales and simple tunes without the aid of inhale and exhale or hole number markings. Shown as follows is the notation for a C major scale in quarter notes. You can already play this without even thinking. Play through it watching the notation and say the name of each note to yourself as you play.

The next step is recognizing the notes in different octaves. Since the notes on the harmonica repeat in identical patterns over three octaves, you can easily play a scale by ear in any octave once you know it. the following example is the notation for the C major scale played over two octaves in eighth notes and then sixteenth notes (see Note Values). Don’t let the notation for the higher notes scare you. They are simply repeats of the lower notes an octave higher. Think the names of the notes as you go. Once you can do this with sixteenth notes, you are well on your way.

Peter Gelling

Peter Gelling

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Class Sessions

1- INTRODUCTION 2- More About Major Scales 3- Sharps (<span class="symbolA">#</span>) and Flats (<span class="symbolA">b</span>) 4- Playing the Chromatic Scale 5- Solving Reading Problems 6- More About Keys and Key Signatures 7- Transposing 8- More About Blues Scales 9- Understanding Intervals 10- Minor Keys and Scales 11- Notes on the Chromatic Harmonica 12- Relative Keys 13- Performing in Public 14- Interval Qualities 15- Playing Octaves 16- The Key Cycle 17- The Harmonic Minor Scale 18- Sharp Key Signatures 19- Enharmonic Notes 20- Learning a New Minor Key 21- Major Scale Pattern 22- Overcoming Nerves 23- The Chromatic Harmonica 24- The Chromatic Scale 25- The C Major Scale 26- Swinging Notes 27- Intervals 28- Breathing Indicators 29- The Key of E Minor 30- Interval Distances 31- Major Scales in all Keys 32- The Melodic Minor Scale 33- Minor Scales in all Keys 34- Flat Key Signatures 35- The Blues Scale 36- Holding the Chromatic Harmonica 37- Eye Contact 38- The G Major Scale 39- Range of the Chromatic Harmonica 40- Table of Minor Scales 41- Understanding Music 42- Stage Presence and Stage Craft 43- Identifying Intervals by Ear 44- Using the Slide 45- Key Signatures 46- Using the Key Cycle 47- Note Values 48- Understanding Note Values 49- Developing Your Own Style 50- The F Major Scale 51- Jam Along Progressions 52- Standard Music Notation 53- Learning the Notes on the Staff 54- The Metronome 55- Microphones 56- Developing Your Music Reading 57- Keeping Time 58- Microphones for Performing Live 59- Playing Songs 60- Amplification 61- Slurs 62- Overdrive 63- Cut Common Time 64- Approach to Practice 65- Reading Without Numbers 66- Listening 67- Transcribing 68- Recording Yourself 69- Learning More about Music

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