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Developing Your Own Style

Lesson 6/69 | Study Time: 5 Min
Developing Your Own Style

Developing Your Own Style

Many performers learn their stage craft and their ability to express their vocal or instrumental technique by copying other performers at first and then ultimately adapting what they have learned to form their own unique style and presence. Junior Wells seriously studied Little Walter’s style of singing and playing early in his career, but later developed his own intensely personal style which has little in common with Little Walter.

This is similar to the way students of visual art are taught to copy the works of masters early in their development. By doing this, the student learns about color, form, design, balance, etc. as well as learning technique.

However, this is only the first step in the process. The idea is to master the practical elements in order to be able to go on and express your own feelings, ideas and personality through your own work. Copying a Rembrandt or Picasso painting is an extremely valuable exercise for an art student, but it is not an end in itself. So it is with playing and performing. Learn all you can from performers you admire, whether it is their technique, their musicianship or their stagecraft. Study them in detail and work diligently on everything you learn, particularly in the early stages of your development.

However, it is not recommended that you slavishly copy any particular persons style over a long period of time (unless you want to be a comedy act). As your confidence develops along with your personal feelings for the music you are performing, your own style will begin to emerge by itself if you let it. As you practice and perform, notice the things that you feel most intensely about. These are the seeds which will grow into your own vital style if you are true to them and develop them properly.

Peter Gelling

Peter Gelling

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Class Sessions

1- INTRODUCTION 2- More About Major Scales 3- Sharps (<span class="symbolA">#</span>) and Flats (<span class="symbolA">b</span>) 4- Playing the Chromatic Scale 5- Solving Reading Problems 6- More About Keys and Key Signatures 7- Transposing 8- More About Blues Scales 9- Understanding Intervals 10- Minor Keys and Scales 11- Notes on the Chromatic Harmonica 12- Relative Keys 13- Performing in Public 14- Interval Qualities 15- Playing Octaves 16- The Key Cycle 17- The Harmonic Minor Scale 18- Sharp Key Signatures 19- Enharmonic Notes 20- Learning a New Minor Key 21- Major Scale Pattern 22- Overcoming Nerves 23- The Chromatic Harmonica 24- The Chromatic Scale 25- The C Major Scale 26- Swinging Notes 27- Intervals 28- Breathing Indicators 29- The Key of E Minor 30- Interval Distances 31- Major Scales in all Keys 32- The Melodic Minor Scale 33- Minor Scales in all Keys 34- Flat Key Signatures 35- The Blues Scale 36- Holding the Chromatic Harmonica 37- Eye Contact 38- The G Major Scale 39- Range of the Chromatic Harmonica 40- Table of Minor Scales 41- Understanding Music 42- Stage Presence and Stage Craft 43- Identifying Intervals by Ear 44- Using the Slide 45- Key Signatures 46- Using the Key Cycle 47- Note Values 48- Understanding Note Values 49- Developing Your Own Style 50- The F Major Scale 51- Jam Along Progressions 52- Standard Music Notation 53- Learning the Notes on the Staff 54- The Metronome 55- Microphones 56- Developing Your Music Reading 57- Keeping Time 58- Microphones for Performing Live 59- Playing Songs 60- Amplification 61- Slurs 62- Overdrive 63- Cut Common Time 64- Approach to Practice 65- Reading Without Numbers 66- Listening 67- Transcribing 68- Recording Yourself 69- Learning More about Music

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