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Enharmonic Notes

Lesson 3/69 | Study Time: 5 Min
Enharmonic Notes

Enharmonic Notes

The "in between" notes in the chromatic scale can be described as either sharps or flats. These are called enharmonic notes, which means they are the same pitch (e.g., C# = Db and F# = G b). Here is an example demonstrating the use of enharmonic notes.

You now know all the different notes used in western music (twelve in all). This includes all the natural notes (A B C D E F G), plus F#, C#, G#, D#, and A#. Because each sharp note has another name as a flat, you also know Gb, Db, Ab, Eb, and Bb. If you play all twelve notes in succession, you get the chromatic scale. As you know, all of the notes in a chromatic scale are one semitone apart. To get to know all possible ways of describing any note in a given key, it is a good idea to call all notes which are not natural to the key sharps when ascending and flats when descending.

Like all scales, you will need to be able to play the chromatic scale across the whole range of the harmonica. The following example demonstrates two octaves of the C chromatic scale. Take it slowly at first until you can play it smoothly and easily without hesitation. It is a good idea to make the chromatic scale part of your daily practice, as a good knowledge of this scale makes it easy to quickly transpose any melody, as well as making it easier to learn any new scale or key.

Once you can play the C chromatic scale, you already know all other chromatic scales, e.g., to play the E chromatic scale, you simply start on the note E and play all possible notes until you arrive at the next E note one octave higher or lower. This is demonstrated in the following example which contains two octaves of the E chromatic scale.

The Natural Sign

This is a natural sign.

A natural sign cancels the effect of a sharp or flat for the rest of that bar, or until another sharp or flat sign occurs within that bar. Notice the alternation between G natural (G@)and G# in example 26.

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Class Sessions

1- INTRODUCTION 2- More About Major Scales 3- Sharps (<span class="symbolA">#</span>) and Flats (<span class="symbolA">b</span>) 4- Playing the Chromatic Scale 5- Solving Reading Problems 6- More About Keys and Key Signatures 7- Transposing 8- More About Blues Scales 9- Understanding Intervals 10- Minor Keys and Scales 11- Notes on the Chromatic Harmonica 12- Relative Keys 13- Performing in Public 14- Interval Qualities 15- Playing Octaves 16- The Key Cycle 17- The Harmonic Minor Scale 18- Sharp Key Signatures 19- Enharmonic Notes 20- Learning a New Minor Key 21- Major Scale Pattern 22- Overcoming Nerves 23- The Chromatic Harmonica 24- The Chromatic Scale 25- The C Major Scale 26- Swinging Notes 27- Intervals 28- Breathing Indicators 29- The Key of E Minor 30- Interval Distances 31- Major Scales in all Keys 32- The Melodic Minor Scale 33- Minor Scales in all Keys 34- Flat Key Signatures 35- The Blues Scale 36- Holding the Chromatic Harmonica 37- Eye Contact 38- The G Major Scale 39- Range of the Chromatic Harmonica 40- Table of Minor Scales 41- Understanding Music 42- Stage Presence and Stage Craft 43- Identifying Intervals by Ear 44- Using the Slide 45- Key Signatures 46- Using the Key Cycle 47- Note Values 48- Understanding Note Values 49- Developing Your Own Style 50- The F Major Scale 51- Jam Along Progressions 52- Standard Music Notation 53- Learning the Notes on the Staff 54- The Metronome 55- Microphones 56- Developing Your Music Reading 57- Keeping Time 58- Microphones for Performing Live 59- Playing Songs 60- Amplification 61- Slurs 62- Overdrive 63- Cut Common Time 64- Approach to Practice 65- Reading Without Numbers 66- Listening 67- Transcribing 68- Recording Yourself 69- Learning More about Music

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