Interval Qualities

Lesson 3/69 | Study Time: 5 Min

Course: Chromatic Harmonica Method

Interval Qualities

Different intervals have different qualities, as shown:

Quality	Can be applied to
Perfect	Unisons, 4ths, 5ths and Octaves
Major	2nds, 3rds, 6ths and 7ths
Minor	2nds, 3rds, 6ths and 7ths
Augmented	All intervals
Diminished	All intervals

These intervals can be best explained with the aid of a chromatic scale. If you look at the following, it is easy to see that since intervals are measured in semitones, they may begin or end on a sharp or flat rather than a natural note.

Perfect intervals are 4ths, 5ths and octaves. If you widen a perfect interval by a semitone it becomes augmented (added to). For example, if you add a semitone to the perfect 4th interval C to F, it becomes the augmented 4th interval C to F#. Notice that the letter name remains the same - it is not referred to as C to G b.

If you narrow a perfect interval by a semitone they become diminished (lessened). For example, if you lessen the perfect 5th interval D to A by a semitone, it becomes the diminished 5th interval D to Ab. Again, the letter name remains the same - it is not referred to as D to G#.

Major intervals (2nds, 3rds, 6ths and 7ths) become minor if narrowed by a semitone and minor intervals become major if widened by a semitone. A diminished interval can be created by narrowing a perfect or minor interval by a semitone. An augmented interval can be created by widening a perfect or major interval by a semitone.

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Class Sessions

1- INTRODUCTION 2- More About Major Scales 3- Sharps (<span class="symbolA">#</span>) and Flats (<span class="symbolA">b</span>) 4- Playing the Chromatic Scale 5- Solving Reading Problems 6- More About Keys and Key Signatures 7- Transposing 8- More About Blues Scales 9- Understanding Intervals 10- Minor Keys and Scales 11- Notes on the Chromatic Harmonica 12- Relative Keys 13- Performing in Public 14- Interval Qualities 15- Playing Octaves 16- The Key Cycle 17- The Harmonic Minor Scale 18- Sharp Key Signatures 19- Enharmonic Notes 20- Learning a New Minor Key 21- Major Scale Pattern 22- Overcoming Nerves 23- The Chromatic Harmonica 24- The Chromatic Scale 25- The C Major Scale 26- Swinging Notes 27- Intervals 28- Breathing Indicators 29- The Key of E Minor 30- Interval Distances 31- Major Scales in all Keys 32- The Melodic Minor Scale 33- Minor Scales in all Keys 34- Flat Key Signatures 35- The Blues Scale 36- Holding the Chromatic Harmonica 37- Eye Contact 38- The G Major Scale 39- Range of the Chromatic Harmonica 40- Table of Minor Scales 41- Understanding Music 42- Stage Presence and Stage Craft 43- Identifying Intervals by Ear 44- Using the Slide 45- Key Signatures 46- Using the Key Cycle 47- Note Values 48- Understanding Note Values 49- Developing Your Own Style 50- The F Major Scale 51- Jam Along Progressions 52- Standard Music Notation 53- Learning the Notes on the Staff 54- The Metronome 55- Microphones 56- Developing Your Music Reading 57- Keeping Time 58- Microphones for Performing Live 59- Playing Songs 60- Amplification 61- Slurs 62- Overdrive 63- Cut Common Time 64- Approach to Practice 65- Reading Without Numbers 66- Listening 67- Transcribing 68- Recording Yourself 69- Learning More about Music

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Interval Qualities