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More About Keys and Key Signatures

Lesson 2/69 | Study Time: 5 Min
More About Keys and Key Signatures

More About Keys and Key Signatures

The key describes the note around which a piece of music is built. When a song consists of notes from a particular scale, it is said to be written in the key which has the same notes as that scale. For example, if a song contains mostly notes from the C major scale, it is said to be in the key of C major. If a song contains mostly notes from the F major scale, it is said to be in the key of F major. If a song contains mostly notes from the G major scale, it is said to be in the key of G major.

When playing in any major key other than C, the key will contain at least one sharp or flat, and possibly as many as six. Instead of writing these sharps or flats before each note as they occur, they are usually written at the beginning of the song just before the time signature. These sharps or flats are called a key signature. The number of sharps or flats in the key signature depends on the number of sharps or flats in the corresponding major scale. The major scales and key signatures for the keys of G and F are shown as follows. Without sharps and flats, these scales would not contain the correct pattern of tones and semitones and would therefore not sound like a major scale.

Key Signature of G Major

The G major scale contains one sharp, F #, therefore the key signature for the key of G major contains one sharp, F#.

Key Signature of F Major

The F major scale contains one flat, Bb, therefore the key signature for the key of F major contains one flat, Bb.

The reason some scales contain sharps while others contain flats is that there has to be a separate letter name for each note in the scale. For example, the G major scale contains F# instead of Gb even though these two notes are identical in sound. However, if Gb was used, the scale would contain two notes with the letter name G and no note with the letter name F. This is the reason for choosing to call the note F# in this key. In the key of F major, the note Bb is chosen instead of A# for the same reason. If A# was used, the scale would contain two notes with the letter name A and no note with the letter name B.

The note each major scale starts on will determine how many sharps or flats are found in each key signature because of the necessity for the scale to have the correct pattern of tones and semitones in order to sound right. The charts on the following page contain the key signatures of all the major scales used in music, along with the number of sharps or flats contained in each key. Because there are 12 notes used in music, this means there are 12 possible starting notes for major scales (including sharps and flats). This means that some of the keys will have sharps or flats in their name, e.g., F# major, Bb major, Eb major, etc. Keys which contain sharps are called sharp keys and keys which contain flats are called flat keys.

Peter Gelling

Peter Gelling

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Class Sessions

1- INTRODUCTION 2- More About Major Scales 3- Sharps (<span class="symbolA">#</span>) and Flats (<span class="symbolA">b</span>) 4- Playing the Chromatic Scale 5- Solving Reading Problems 6- More About Keys and Key Signatures 7- Transposing 8- More About Blues Scales 9- Understanding Intervals 10- Minor Keys and Scales 11- Notes on the Chromatic Harmonica 12- Relative Keys 13- Performing in Public 14- Interval Qualities 15- Playing Octaves 16- The Key Cycle 17- The Harmonic Minor Scale 18- Sharp Key Signatures 19- Enharmonic Notes 20- Learning a New Minor Key 21- Major Scale Pattern 22- Overcoming Nerves 23- The Chromatic Harmonica 24- The Chromatic Scale 25- The C Major Scale 26- Swinging Notes 27- Intervals 28- Breathing Indicators 29- The Key of E Minor 30- Interval Distances 31- Major Scales in all Keys 32- The Melodic Minor Scale 33- Minor Scales in all Keys 34- Flat Key Signatures 35- The Blues Scale 36- Holding the Chromatic Harmonica 37- Eye Contact 38- The G Major Scale 39- Range of the Chromatic Harmonica 40- Table of Minor Scales 41- Understanding Music 42- Stage Presence and Stage Craft 43- Identifying Intervals by Ear 44- Using the Slide 45- Key Signatures 46- Using the Key Cycle 47- Note Values 48- Understanding Note Values 49- Developing Your Own Style 50- The F Major Scale 51- Jam Along Progressions 52- Standard Music Notation 53- Learning the Notes on the Staff 54- The Metronome 55- Microphones 56- Developing Your Music Reading 57- Keeping Time 58- Microphones for Performing Live 59- Playing Songs 60- Amplification 61- Slurs 62- Overdrive 63- Cut Common Time 64- Approach to Practice 65- Reading Without Numbers 66- Listening 67- Transcribing 68- Recording Yourself 69- Learning More about Music

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