Adapting Time Signatures

Lesson 3/87 | Study Time: 5 Min

Course: Complete Drums

Adapting Time Signatures

Some rudiments written in traditional form may look unusable because the time signatures used are % and ) . These time signatures can be easily adapted to * time. If a % bar is played twice, the effect is the same as playing one bar of * time.

If each of the notes in a ) bar is treated as the corresponding triplet of a * bar, * time can be formulated, e.g.:

Note: Time Signatures are explained at the start of the book and in sections 2 and 5.

A * version of the traditionally notated ) rudiments has been included where applicable.

Diddle Rudiments

Flam Rudiments

Drag, Ratamacue and Ruff Rudiments

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Craig Lauritsen

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Class Sessions

1- INTRODUCTION 2- The Sixteenth Note 3- The Eighth Note 4- Paradiddle Permutations 5- Triplets 6- The Quarter Note 7- Rudiments 8- How to Practice 9- Advanced Independence - Concept 1 10- Solo 33 11- GLOSSARY OF MUSICAL TERMS 12- Method of Practice 13- Adapting Time Signatures 14- Eighth Note Triplets 15- Solo 30 16- Solo 17 17- Solo 34 18- Sight Reading Exercise 7 19- Explanation of Notation 20- Counting 21- Sight Reading Exercise 3 22- Solo 31 23- Solo 22 24- Thirty Second Notes 25- Solo 18 26- The Drum Fill 27- Open Hi-hat Exercises 28- Sixteenth Note Hi-hat Patterns 29- Sight Reading Exercise 4 30- Equipment 31- Solo 35 32- The Paradiddle 33- Solo 23 34- Sixty Fourth Notes 35- Solo 19 36- Solo 36 37- Solo 1 38- Holding the Drum Sticks 39- Ghost Notes 40- Solo 32 41- Solo 6 42- Solo 29 43- Solo 2 44- Rolls 45- Solo 36 46- Shuffle Rhythm 47- Triplet Accent Studies 48- 3 Steps to Stick Control 49- Solo 20 50- Solo 7 51- Solo 3 52- Fill-ins Featuring Bass Drum 53- Note Values 54- Stickings Around the Kit 55- Solo 21 56- Open and Closed Hi-hats 57- Solo 24 58- Solo 8 59- Paradiddle Partials 60- Syncopation 61- Swing Rhythm 62- Joining Stickings Together 63- Understanding Note Values 64- The Tie 65- The Flam 66- <span class="symbolA">%</span> Time 67- Advanced Syncopation 68- Repetition Counting 69- Solo 25 70- The Metronome 71- Sticking Interpretation 72- Solo 9 73- Solo 26 74- Solo 4 75- Triplet Sticking Interpretation 76- Linear Patterns 77- Rudiments of music 78- Creating a Drum Part 79- Time Signatures 80- Solo 27 81- Solo 5 82- The Dot 83- Polyrhythms 84- Repeat Signs 85- Solo 28 86- Solo 10 87- Dynamics

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Adapting Time Signatures