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GLOSSARY OF MUSICAL TERMS

Lesson 2/87 | Study Time: 5 Min
Course: Complete Drums
GLOSSARY OF MUSICAL TERMS

Accidental — a sign used to show a temporary change in pitch of a note (i.e., sharp #, flat b, double sharp !, double flat bb, or natural @). The sharps or flats in a key signature are not regarded as accidentals.

Ad lib — to be played at the performer’s own discretion.

Anacrusis — a note or notes occurring before the first bar of music (also called "lead-in" notes).

Arpeggio — the playing of a chord in single note fashion.

Bar — a division of music occurring between two bar lines (also called a "measure").

Bar line — a vertical line drawn across the staff which divides the music into equal sections called bars.

Chord — a combination of three or more different notes played together.

Chord progression — a series of chords played as a musical unit (e.g., as in a song).

Chromatic scale — a scale ascending and descending in semitones.

e.g., C chromatic scale:

Common time — and indication of * time — four quarter note beats per bar (also indicated by Q)

D.C. al fine — a repeat from the sign (indicated thus V) to the word "fine".

Duration — the time value of each note.

Dynamics — the varying degrees of softness (indicated by the term "piano") and loudness (indicated by the term "forte") in music.

Eighth note — a note with the value of half a beat in * time, indicated thus 5 (also called a quaver).

Eighth rest — indicating half a beat of silence is written:j

Enharmonic — describes the difference in notation, but not in pitch, of two notes, e.g.:

First and second endings — signs used where two different endings occur. On the first time through ending one is played (indicated by the bracket ); then the progression is repeated and ending two is played (indicated X).

Harmony — the simultaneous sounding of two or more different notes.

Improvise — to perform spontaneously, i.e., not from memory or from a written copy.

Interval — the distance between any two notes of different pitches.

Key — describes the notes used in a composition in regards to the major or minor scale from which they are taken; e.g., a piece "in the key of C major" describes the melody, chords, etc., as predominantly consisting of the notes, C, D, E, F, G, A, and B — i.e., from the C scale.

Key signature — a sign, placed at the beginning of each stave of music, directly after the clef, to indicate the key of a piece. The sign consists of a certain number of sharps or flats, which represent the sharps or flats found in the scale of the piece’s key. e.g.:

indicates a scale with F# and C#, which is D major; D E F# G A B C# D. Therefore the key is D major (or its relative minor, Bm).

Lead-In — same as anacrusis (also called a pick-up).

Ledger lines — small horizontal lines upon which notes are written when their pitch is either above or below the range of the staff, e.g.,

Legato — smoothly, well connected.

Major scale — a series of eight notes in alphabetical order based on the interval sequence tone - tone - semitone - tone - tone - tone - semitone, giving the familiar sound do re mi fa so la ti do.

Melody — a succession of notes of varying pitch and duration, and having a recognizable musical shape.

Metronome — a device which indicates the number of beats per minute, and which can be adjusted in accordance to the desired tempo.

e.g., MM (Maelzel Metronome) 3 = 60 — indicates 60 quarter note beats per minute.

Natural — a sign (@) used to cancel out the effect of a sharp or flat. The word is also used to describe the notes A, B, C, D, E, F and G; e.g., "the natural notes".

Notation — the written representation of music, by means of symbols (music on a staff), letters (as in chord and note names) and diagrams (as in chord illustrations.)

Octave — the distance between any given note with a set frequency, and another note with exactly double that frequency. Both notes will have the same letter name;

Pitch — the sound produced by a note, determined by the frequency of the string vibrations. The pitch relates to a note being referred to as "high" or "low".

Repeat signs — in music, used to indicate a repeat of a section of music, by means of two dots placed before a double bar line:

In chord progressions, a repeat sign C, indicates an exact repeat of the previous bar.

Semitone — the smallest interval used in conventional music. On guitar, it is a distance of one fret.

Sharp — a sign (#) used to raise the pitch of a note by one semitone.

Staccato — to play short and detached. Indicated by a dot placed above or below the note:cx

Staff — five parallel lines together with four spaces, upon which music is written.

Syncopation — displacing the normal flow of accents in music. Usually from on the beat to off the beat.

Tempo — the speed of a piece.

Tie — a curved line joining two or more notes of the same pitch, where the second note(s) is not played, but its time value is added to that of the first note.

Timbre — a quality which distinguishes a note produced on one instrument from the same note produced on any other instrument (also called "tone colour"). A given note on the guitar will sound different (and therefore distinguishable) from the same pitched note on piano, violin, flute etc. There is usually also a difference in timbre from one guitar to another.

Transposition — the process of changing music from one key to another.

Craig Lauritsen

Craig Lauritsen

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Class Sessions

1- INTRODUCTION 2- The Sixteenth Note 3- The Eighth Note 4- Paradiddle Permutations 5- Triplets 6- The Quarter Note 7- Rudiments 8- How to Practice 9- Advanced Independence - Concept 1 10- Solo 33 11- GLOSSARY OF MUSICAL TERMS 12- Method of Practice 13- Adapting Time Signatures 14- Eighth Note Triplets 15- Solo 30 16- Solo 17 17- Solo 34 18- Sight Reading Exercise 7 19- Explanation of Notation 20- Counting 21- Sight Reading Exercise 3 22- Solo 31 23- Solo 22 24- Thirty Second Notes 25- Solo 18 26- The Drum Fill 27- Open Hi-hat Exercises 28- Sixteenth Note Hi-hat Patterns 29- Sight Reading Exercise 4 30- Equipment 31- Solo 35 32- The Paradiddle 33- Solo 23 34- Sixty Fourth Notes 35- Solo 19 36- Solo 36 37- Solo 1 38- Holding the Drum Sticks 39- Ghost Notes 40- Solo 32 41- Solo 6 42- Solo 29 43- Solo 2 44- Rolls 45- Solo 36 46- Shuffle Rhythm 47- Triplet Accent Studies 48- 3 Steps to Stick Control 49- Solo 20 50- Solo 7 51- Solo 3 52- Fill-ins Featuring Bass Drum 53- Note Values 54- Stickings Around the Kit 55- Solo 21 56- Open and Closed Hi-hats 57- Solo 24 58- Solo 8 59- Paradiddle Partials 60- Syncopation 61- Swing Rhythm 62- Joining Stickings Together 63- Understanding Note Values 64- The Tie 65- The Flam 66- <span class="symbolA">%</span> Time 67- Advanced Syncopation 68- Repetition Counting 69- Solo 25 70- The Metronome 71- Sticking Interpretation 72- Solo 9 73- Solo 26 74- Solo 4 75- Triplet Sticking Interpretation 76- Linear Patterns 77- Rudiments of music 78- Creating a Drum Part 79- Time Signatures 80- Solo 27 81- Solo 5 82- The Dot 83- Polyrhythms 84- Repeat Signs 85- Solo 28 86- Solo 10 87- Dynamics

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