Combining Scales and Sounds

Lesson 3/38 | Study Time: 5 Min

Course: Beginner Blues Guitar Licks

Combining Scales and Sounds

So far, all the licks presented have come from individual scales – either the minor pentatonic, the Blues scale or the major pentatonic. However, Blues players combine sounds from all these scales, often within the one lick. The following licks combine sounds from all the scales used in the book so far.

This lick works as a four measure intro to a shuffle Blues in C. It is played mainly in the E form, but moves briefly up into the D form in the 3rd measure. The progression shown here is typical of many intros used in Blues. Try transposing it to other keys by moving it to different places on the fretboard.

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Class Sessions

1- Playing Over Turnarounds 2- Dominant 7th Arpeggio Forms 3- Minor Pentatonic Scale Forms 4- Major Pentatonic Scale Forms 5- INTRODUCTION 6- Blues Scale Forms 7- Open Position E Form Blues Scale 8- Endings 9- 6ths and 3rds 10- Combining Scales and Sounds 11- Licks Derived From the E Form 12- Fretboard Diagrams 13- Intros 14- E Form Licks (Blues Scale) 15- Left-Hand Fingers 16- Triplets and Swing Eighth Notes 17- Combined Scales Solo 18- Licks Using 6ths 19- Licks Derived From the D Form 20- Stops 21- D and C Form Licks (Blues Scale) 22- Licks Using 3rds 23- Tablature 24- Call and Response 25- Solo Using 6ths and 3rds 26- Tablature Symbols 27- Licks Derived From the C Form 28- A and G Form Licks (Blues Scale) 29- Blues Call and Response Pattern 30- Blues Scale Solo 31- Licks Derived From the A Form 32- Guitars and Amplifiers 33- Licks Derived From the G Form 34- Dynamics 35- Licks Moving Between Forms 36- A Final Solo 37- Summary of Scales 38- Playing in all Keys

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Combining Scales and Sounds