A Final Solo
Here is a final 12-Bar Blues solo in the key of G minor. It is written in the style of Peter Green, one of the all time greats and a master of dynamics. You can find him on early Fleetwood Mac albums as well as “The biggest thing since Colussus” by Otis Spann.
Class Sessions
1- Playing Over Turnarounds
2- Dominant 7th Arpeggio Forms
3- Minor Pentatonic Scale Forms
4- Major Pentatonic Scale Forms
5- INTRODUCTION
6- Blues Scale Forms
7- Open Position E Form Blues Scale
8- Endings
9- 6ths and 3rds
10- Combining Scales and Sounds
11- Licks Derived From the E Form
12- Fretboard Diagrams
13- Intros
14- E Form Licks (Blues Scale)
15- Left-Hand Fingers
16- Triplets and Swing Eighth Notes
17- Combined Scales Solo
18- Licks Using 6ths
19- Licks Derived From the D Form
20- Stops
21- D and C Form Licks (Blues Scale)
22- Licks Using 3rds
23- Tablature
24- Call and Response
25- Solo Using 6ths and 3rds
26- Tablature Symbols
27- Licks Derived From the C Form
28- A and G Form Licks (Blues Scale)
29- Blues Call and Response Pattern
30- Blues Scale Solo
31- Licks Derived From the A Form
32- Guitars and Amplifiers
33- Licks Derived From the G Form
34- Dynamics
35- Licks Moving Between Forms
36- A Final Solo
37- Summary of Scales
38- Playing in all Keys