Playing Over Turnarounds

Lesson 2/38 | Study Time: 5 Min

Course: Beginner Blues Guitar Licks

Playing Over Turnarounds

As well as knowing how to use scales and arpeggios, it is important to be able to play things which work over specific parts of a progression or song. In Blues, one of the most important things is having control of turnarounds.

If your turnarounds don’t indicate the end of the progression clearly, it can easily confuse other musicians you are playing with. The following examples demonstrate different ideas to fit turnarounds in the final two measures of a Blues progression. Each of these turnarounds begins on chord I and ends on chord V. The first three are in the key of E and use open strings.

Here’s one in the key of C which is played in the G form.

This one is in the key of D and is played in the A form. It ends with two 6th intervals.

This turnaround works best for a slow Blues and contains two chords per measure.

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Class Sessions

1- Playing Over Turnarounds 2- Dominant 7th Arpeggio Forms 3- Minor Pentatonic Scale Forms 4- Major Pentatonic Scale Forms 5- INTRODUCTION 6- Blues Scale Forms 7- Open Position E Form Blues Scale 8- Endings 9- 6ths and 3rds 10- Combining Scales and Sounds 11- Licks Derived From the E Form 12- Fretboard Diagrams 13- Intros 14- E Form Licks (Blues Scale) 15- Left-Hand Fingers 16- Triplets and Swing Eighth Notes 17- Combined Scales Solo 18- Licks Using 6ths 19- Licks Derived From the D Form 20- Stops 21- D and C Form Licks (Blues Scale) 22- Licks Using 3rds 23- Tablature 24- Call and Response 25- Solo Using 6ths and 3rds 26- Tablature Symbols 27- Licks Derived From the C Form 28- A and G Form Licks (Blues Scale) 29- Blues Call and Response Pattern 30- Blues Scale Solo 31- Licks Derived From the A Form 32- Guitars and Amplifiers 33- Licks Derived From the G Form 34- Dynamics 35- Licks Moving Between Forms 36- A Final Solo 37- Summary of Scales 38- Playing in all Keys

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Playing Over Turnarounds