Dominant 7th Arpeggio Forms

Lesson 2/38 | Study Time: 5 Min

Course: Beginner Blues Guitar Licks

Dominant 7th Arpeggio Forms

Another important sound used in Blues is the dominant 7th arpeggio. Its degrees are 1, 3, 5 and b7. Shown below are the five forms of a C7 arpeggio.

Here are the fingerings for the five basic forms of the dominant 7th arpeggio.

E Form (Pattern One)

D Form (Pattern Two)

C Form (Pattern Three)

A Form (Pattern Four)

G Form (Pattern Five)

The following examples make use of dominant 7th arpeggios in various forms, along with the scales from the previous sections. The first one works over the last four measures of a Blues in C.

Here’s one using a D7 arpeggio. The 16th notes in this lick are swung.

Here is another funky riff which works over an A7 chord.

This one works over the last four measures of a slow Blues in Bb.

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Class Sessions

1- Playing Over Turnarounds 2- Dominant 7th Arpeggio Forms 3- Minor Pentatonic Scale Forms 4- Major Pentatonic Scale Forms 5- INTRODUCTION 6- Blues Scale Forms 7- Open Position E Form Blues Scale 8- Endings 9- 6ths and 3rds 10- Combining Scales and Sounds 11- Licks Derived From the E Form 12- Fretboard Diagrams 13- Intros 14- E Form Licks (Blues Scale) 15- Left-Hand Fingers 16- Triplets and Swing Eighth Notes 17- Combined Scales Solo 18- Licks Using 6ths 19- Licks Derived From the D Form 20- Stops 21- D and C Form Licks (Blues Scale) 22- Licks Using 3rds 23- Tablature 24- Call and Response 25- Solo Using 6ths and 3rds 26- Tablature Symbols 27- Licks Derived From the C Form 28- A and G Form Licks (Blues Scale) 29- Blues Call and Response Pattern 30- Blues Scale Solo 31- Licks Derived From the A Form 32- Guitars and Amplifiers 33- Licks Derived From the G Form 34- Dynamics 35- Licks Moving Between Forms 36- A Final Solo 37- Summary of Scales 38- Playing in all Keys

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Dominant 7th Arpeggio Forms