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Musical Form

Lesson 2/90 | Study Time: 5 Min
Musical Form

Musical Form

Form refers to the pattern (or plan) of individual sections of music within a piece. The most common section lengths are 4 or 8 bars. One of the most common types of form is called binary form, where the order of the sections is AB. Sometimes these sections are repeated (e.g. AABB as in the following studies), but the basic binery form is maintained. You will also notice that the two section do not have to be identical, but must retain similar characteristics.

You should always determine the form of a study or piece, as this will make it easier to learn.

playing notes: The third finger is used as a pivot in bars 1-2 and 4-6, which will make the arpeggio chord changes much easier and smoother. In bar 15 the scale run is played rest stroke, as indicated by the d symbol. This change from free stroke to rest stroke may require additional practice. The quarter note rest in Bar 8 is achieved by placing the right hand fingers back onto the strings.

playing notes: This study combines the use of chords, arpeggios and single notes. Be sure to maintain a consistent tone and volume throughout. You will notice that the stems of the bass notes (played by p) point both downward and upward, e.g. bar two. This is a common technique of writing music, to help distinguish the bass line and yet maintain the appearance of an arpeggio.

Ferdinand Carulli

Playing notes: You may wish to try playing the "teacher" part of this duet. It is more difficult, particularly the chord changes in bar 3 (which re-occur in bars 7, 11 and 15). You should practice these chord changes separately.

* 2 string bar, see page 47.

Jason Waldron

Jason Waldron

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Class Sessions

1- Chromatics or Accidentals 2- Left Hand Notation 3- The D Major Scale 4- Modulation 5- Notes on the Third String 6- Fourth String 7- Relative Major and Minor Keys 8- Right Hand Independence Exercises 9- The G Major Scale 10- The B Melodic Minor Scale (Relative to D Major) 11- Triplets 12- SECTION ONE SUMMARY 13- INTRODUCTION 14- The A Melodic Minor Scale 15- SECTION TWO 16- The C Major Scale 17- Musical Form 18- The D Melodic Minor Scale (Relative to F Major) 19- GLOSSARY OF MUSICAL TERMS 20- Scales 21- Rudiments of Music 22- Tuning to the Compact Disc or Cassette 23- SECTION TWO SUMMARY 24- The Rest Stroke 25- The F Major Scale 26- The Free Stroke 27- The A Major Scale 28- Right Hand Thumb p Free Stroke 29- Chords in the Key of A Major 30- The E Melodic Minor Scale (Relative to G Major) 31- Chords in the Key of F Major 32- Determining the Key of A Piece 33- Chords in the Key of G Major 34- Chords in the Key of D Minor 35- Prelude 36- Music Theory 37- Chords in the Key of D Major 38- Electronic Guitar Tuner 39- Chords in the Key of A Minor 40- The Chromatic Scale 41- Chords in the Key of B Minor 42- The Classical Guitar 43- Chords in the Key of C Major 44- Rudiments of Music 45- Fifth String 46- Note Values 47- Left Hand Placement 48- Alternation 49- Hall of the Mountain King 50- Music in Two Parts 51- Open String Exercises 52- Left Hand Thumb 53- Playing the Half - Bar 54- Chord Arpeggios 55- Waltz allegro 56- Classical Guitar Techniques 57- Time Signatures 58- Tuning the Guitar to Itself 59- Notes on Guitar Fretboard 60- The Major Scale 61- Approach to Practice 62- Chords in the Key of E Minor 63- Sixth String 64- Estudio 65- Classical Guitar Techniques 66- Study in G 67- Counting and Saying the Names of the Notes 68- Spanish Study 69- Bouree in E Minor 70- Allegro 71- Notes in the Open Position 72- History of the Guitar 73- Minor Scales 74- Duet in G 75- Study in C 76- Prelude in D 77- Notes on the First String 78- Keys and Key Signatures 79- Allegretto in D 80- Sitting Position 81- Notes on the Second String 82- Duet in A Minor 83- Reading Music 84- Greensleeves 85- Right Hand Notation 86- Duet in D 87- Right Hand Fingernails 88- Right Arm Placement 89- Right Hand Position and Gripping Technique 90- Method of Placement

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