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Bar Chords

Lesson 2/194 | Study Time: 5 Min
Bar Chords

Bar Chords

The term "bar chord" means that the first finger acts as a bar (sometimes called a barre) across all, or some of the strings. The fact that there are no open strings in a bar chord means it is possible to move the one shape to any position on the fretboard and to play in every key. The term "position" refers to the fret your first finger is at. E.g if your first finger is at the 3rd fret, you are in the third position. If your first finger is at the 8th fret, you are in the eighth position. The diagram and photo below demonstrate an F major bar chord (played in the first position). Notice that this chord is simply an E chord shape played with the 2nd, 3rd and 4th fingers, with a first finger bar behind it.

 

 

F

Left Hand Technique

Bar chords can be difficult to play at first and will require a great deal of practice before they are comfortable to use. Try to keep the first finger of the left hand straight and parallel to the fret. It is also important to keep the other fingers arched and use only the tips of the fingers. The left hand thumb must be kept behind the neck.

Keep first finger straight.

Keep thumb behind neck.

Root 6 Bar Chords

As with open chords, there are several different types of bar chords, including major, minor and 7th chords. The bar chord shape shown above is referred to as a root 6 major bar chord because the root note (name note) of the chord is on the 6th string.

The root 6 major bar chord can be played at any fret with the name of the chord depending on which note the first finger is fretting on the sixth string. E.g. at the 3rd fret, this shape would be a G chord. At the 5th fret, it would be an A chord, etc.

Notes on the Sixth String

In order to determine exactly where to place your first finger for any particular bar chord, it is essential to know the notes on the sixth string from memory. The diagram below shows the notes on the sixth string up to the 13th fret where the F note repeats an octave higher than the first fret. It is rare to play bar chords any higher than the 12th fret.

Practice playing bar chords at different frets at random until you can instantly name the chord at any fret. Once you can do this, try the following example, which moves the same shape up and down the neck to form all the chords in the progression.

Percussive Strumming With Bar Chords

The following example features percussive strumming with root 6 bar chords. Wherever percussive strums occur, release the pressure with your left hand, so that the fingers lift up off the fretboard but still remain in contact with the strings. Keep the bar chord shape so you are ready to press down again to play the next chord as soon as it occurs.

Root 5 Bar Chords

As the term root 5 suggests, the root note of these chords can be found on the fifth string, fretted with the first finger bar. Like all bar chords, the same shape can be moved up or down to any position on the fretboard. Below is the basic shape for the root 5 Major bar chord shown in two positions.

You will need to have patience with this chord shape, as the combination of the first finger bar and the partial bar with the third finger is particularly difficult at first. Make sure the third finger frets the 4th, 3rd and 2nd strings, but not the 1 st string.

C

F

Notes on the Fifth String

To find root 5 bar chords easily, it is essential to know the notes on the 5th string from memory. The diagram below illustrates all notes on the fifth string up to the 13th fret. Try naming a chord and moving to the correct fret. Practice this until you can do it without hesitating or having to think ahead.

Here is an example which makes use of root 5 bar chords. Notice once again the use of percussive strumming.

Peter Gelling

Peter Gelling

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Class Sessions

1- INTRODUCTION 2- The C Major Chord 3- A Major Chord 4- Eighth Note Rhythms 5- Minor Chords 6- F Major Chord 7- B Minor Chord 8- Silent Strums and Continuous Rhythms 9- Suspended Chords 10- Bass Note Rhythm Patterns in Four Four Time 11- Alternative Chord Shapes 12- How to Read Music 13- Notes on the First String 14- LESSON THIRTEEN 15- Notes on the Fourth String 16- Rhythm Notation 17- Learning all the Notes 18- The Major Scale 19- Intervals 20- Understanding Chords 21- Chord Construction – Triads 22- Scale Tone Chords 23- Minor Scales and Keys 24- Relative Keys 25- Minor Key Scale Tone Triads 26- Playing Two Strings Together 27- Rests 28- Identifying Rhythms 29- Syncopation 30- Bar Chords 31- Learning the Whole Fretboard 32- Moveable Chord Shapes in Five Forms 33- Moveable Minor Chord Shapes 34- The Triplet 35- More About 12 Bar Blues 36- Seventh Chords 37- Creating Riffs From Scales 38- Open Position Minor Pentatonic Scale 39- The Blues Scale 40- Boogie Rhythms 41- Sixteenth Notes 42- Major Seventh Chords 43- Ninth Chords 44- Extended Chords 45- Sliding Chords 46- Slurs 47- Modes 48- The Seven Sharp Nine Chord 49- Tritones 50- Chord Embellishment 51- Odd Time Signatures 52- Playing With a Band 53- Playing With a Rhythm Section 54- Putting it all Together 55- Moveable Chord Shapes 56- Tuning 57- Using the Compact Discs 58- Strumming 59- Slide Finger 60- Eighth Note Rhythms Patterns 61- Three Four Time Rhythm Patterns 62- Turnaround Progressions 63- Silent Strum Symbols 64- Alternate Bass Note Picking 65- Major Sixth Chords 66- Tablature 67- Overdrive and Distortion 68- Alternate Picking 69- Notes on the Fifth String 70- Major Chord Formations 71- Tones and Semitones 72- The G Major Scale 73- Interval Qualities 74- Arpeggios 75- Augmented and Diminished Chords 76- Major Key Triad Pattern 77- The Natural Minor Scale 78- Slash Chords 79- Power Chords 80- Percussive Strumming 81- Riffs 82- Changing Between Shapes 83- Note on the Guitar Fretboard 84- Three Note Chord Voicings 85- The Half Bar 86- Strumming Triplets 87- New Topic 88- Moveable 7th Chord Forms 89- E Minor Pentatonic Scale 90- Open Position A Blues Scale 91- Experimenting With Sounds 92- Riffs Using Sixteenth Notes 93- Minor Seventh Chords 94- Eleventh Chords 95- Combining Riffs and Chords 96- Slurs Using Open Strings 97- The Mixolydian Mode 98- 7sus Chords 99- 6ths 100- The Bass 101- Working With Another Guitarist 102- Chord Formulas 103- Electronic Tuning 104- The Seventh Chord 105- 12 Bar Blues 106- Bass Note Rhythm Patterns 107- Alternate Chord Fingerings 108- Rhythm Variations 109- Music Notation 110- Notes on the Second String 111- Notes on the Sixth String 112- Ties 113- Sharps 114- Keys and Key Signatures 115- Interval Distances 116- Transposing 117- The Harmonic Minor Scale 118- Bass Runs 119- Moveable Power Chords 120- Developing Rhythmic Control 121- Notes in More Than One Place 122- Four Note Chord Voicings 123- Three and Four Note Minor Chords Voicings 124- Understanding Triplet Rhythms 125- Voicings 126- Open Position E Blues Scale 127- Common 16th Note Figures 128- Jazz Progressions 129- Thirteenth Chords 130- Sixteenth Note Triplets 131- Swamp Sounds 132- The Dorian Mode 133- 3rds 134- Bass Music Notation 135- Scale Tone Seventh Construction 136- Tuning Your Guitar 137- Chord Progressions 138- The Open Position 139- Notes on the Third String 140- The Lead-in 141- The Chromatic Scale 142- Finding Intervals on the Fretboard 143- Primary Chords 144- The Melodic Minor Scale 145- Chords in Other Minor Keys 146- Right Hand Damping 147- Playing Two Strings With the First Finger 148- Position Playing 149- Root 4 and Root 3 Chords 150- Quarter Note Triplets 151- Superimposing Chord Forms 152- Gaining Control of Sixteenth Notes 153- Chord Construction Chart 154- Other Modes 155- 4ths 156- The Drums 157- Scale Tone 7ths in all Keys 158- Acoustic Guitars 159- Rhythm Patterns 160- The Octave 161- Flats 162- Identifying Intervals by Ear 163- Harmonizing Melodies 164- Table of Minor Scales 165- Transposing in Minor Keys 166- Rock "n" Roll Chords 167- Add Nine Chords 168- Higher and Lower Octaves of Notes 169- Swing Rhythms 170- Power Chord Sixteenth Note Parts 171- Omitting Notes From Chords 172- Major 7ths 173- Drum Notation 174- Altered Chord Formulas 175- Electric Guitars 176- Open Chord Shapes 177- Common Progressions 178- Harmonic Minor Scale Tone Chords 179- Adding Scale Tones To Chords 180- The Shuffle 181- Altered Chords 182- Minor 7ths 183- Amplifiers 184- Chord Shapes 185- Melodic Minor Scale Tone Chords 186- 2nds and 5ths 187- Strings 188- How to Hold the Guitar 189- The Rudiments of Music 190- Time Signatures 191- Note Values 192- Note, Rhythms and Rests 193- Chord Diagrams 194- Rhythm Symbols

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