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Common Problems

Lesson 14/208 | Study Time: 5 Min
Common Problems

Common Problems

When children learn to read, they usually begin by reading out loud before moving on to reading silently. In the transition period, they may read to themselves but their lips still form the words as they read. After a while they progress to reading without moving their lips.

This is a useful analogy for the process involved in learning to sing. Beginning singers instinctively move their larynx higher when singing high notes and lower when singing low notes. This creates tension in the throat and actually restricts the free flow of sound required for a good singing tone. When you move your larynx up or down, you are using the muscles outside the larynx instead of the vocal cords. You will achieve a better sound by keeping your larynx stable and relaxed as you sing. Let the air and the vocal cords make the sound. Imagine the sound of the note you wish to sing and trust your body to make that sound. If it can’t, the answer is patience. A beginning pianist cannot be a virtuoso in three weeks and neither can a singer.

Another common problem is head movement when reaching for high or low notes. For the best sound, keep your head in the same position as you would when speaking to someone the same height as yourself. This allows the most open and relaxed pathway for your voice.

Incorrect
reaching for high notes

Incorrect
reaching for low notes

Correct
speech position

A third common problem which interferes with good tone is tension, particularly in the jaw. Before you sing, It is a good idea to tense your body and then let it relax. First try this with the whole body and then do it with specific areas like the shoulders, chest, throat, tongue, jaw, and face muscles.

Peter Gelling

Peter Gelling

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Class Sessions

1- INTRODUCTION 2- Everyone Can Sing 3- Note and Rest Values 4- Rests 5- Voice Types and Ranges 6- The Major Scale 7- Three Four Time Signature 8- The Eighth Note 9- Sounds Used in Singing 10- Dynamics 11- Slurs 12- Tones and Semitones 13- More About Major Scales 14- Keys and Key Signatures 15- The Eighth Rest 16- Transposing 17- Minor Keys and Scales 18- The Lead-In 19- Developing Your Sense of Pitch 20- Enharmonic Notes 21- The Triplet 22- 12 Bar Blues 23- Sixteenth Notes 24- Phrasing and Rubato 25- Six Eight Time Signature 26- Harmony Singing 27- Writing Vocal Parts 28- Chord Construction – Triads 29- Chord Inversions 30- Scale Tone Chords 31- More About Harmony 32- Secondary Triads 33- Minor Key Scale Tone Triads 34- Harmonies in Relative Keys 35- Seventh Chords 36- Jazz Singing 37- Articulations 38- Musical Forms 39- Form, Harmony and Dynamics 40- Singing With a Band 41- Performing in Public 42- GLOSSARY OF MUSICAL TERMS 43- Approach to Practice 44- Matching Pitches and Rhythms 45- Bar Lines 46- The Importance of Timing 47- How to find Your Voice Range 48- Octave Displacement 49- Chord Symbols 50- Eighth Note Rhythms 51- Vowels 52- Musical Use of Dynamics 53- The Tie 54- Sharps 55- Scale Degrees 56- Sharp Key Signatures 57- Syncopation 58- Get to Know You 59- Relative Major and Minor Keys 60- First and Second Endings 61- Interval Qualities 62- Accidentals 63- Swing Rhythms 64- Blues Singing 65- The Sixteenth Note Triplet 66- Simple and Compound Time 67- Banks of the Ohio (With Harmony) 68- Four Part Harmony 69- Double Sharps and Double Flats 70- G Major Chord Inversions 71- More on Chord Progressions 72- Primary Triads 73- Chord Functions 74- Chords in Other Minor Keys 75- Exercises 76- Which Notes to Use 77- Accents 78- Greensleeves 79- Nobody’s Fault But Mine – Harmonies 80- Bass 81- Overcoming Nerves 82- Listening 83- Vocal Range 84- Time Signatures 85- Referring to the Keyboard 86- Sol-Fa Syllables 87- Singing Songs 88- Diphthongs 89- Tempo Markings 90- Imitating Instruments 91- The Chromatic Scale 92- Major Scale Pattern 93- Flat Key Signatures 94- Syncopation Using Ties 95- Scarborough Fair 96- Intervals Distances 97- The Blues Scale 98- St James Infirmary (Version 2) 99- Interpretation and Improvisation 100- Twelve Eight Time 101- Harmony and Chords 102- Understanding Chord Symbols 103- Voice Parts on the Grand Staff 104- Rhythm Notation 105- Harmonizing Melodies 106- Voice Leading 107- Transposing in Minor Keys 108- Scale Tone Seventh Chords 109- Which Sounds to Use 110- Accents and Swing 111- Typical Blues Song Format 112- A Full Vocal Score 113- Drums 114- Eye Contact 115- Recording Yourself 116- Timbre 117- A Word About Pitch 118- The Bass Staff 119- Cue Notes 120- The Shaping of Vowels 121- Tempo Changes 122- Exercises 123- Flats 124- The G Major Scale 125- The Key Cycle 126- Identifying Eighth Note Rhythms 127- Identifying Intervals by Ear 128- Singing Scale Degrees 129- Call and Response 130- Repetition and Variation 131- Grouping Notes in Compound Time 132- The C Major Chord 133- Arpeggios 134- Writing Harmonies from Chord Charts 135- Melodies to Harmonize with Primary Triads 136- Practice Progressions 137- Harmonic Minor Scale Tone Chords 138- Extended Chords 139- Using Arpeggios 140- Ghost Notes 141- Learning Song Forms 142- Guitars 143- Stage Presence and Stage Craft 144- The Metronome 145- The Ultimate Melodic Instrument 146- When to Breathe 147- Exercises 148- Consonants 149- Exercises 150- Phrasing and Expression 151- Exercises 152- The F Major Scale 153- Major Scales in all Keys 154- Exercises 155- Chord Progressions 156- Major Key Triad Pattern 157- Melodies to Harmonize 158- Melodic Minor Scale Tone Chords 159- Developing Rhythmic Control 160- Rhythm Changes 161- The Whole Band 162- Developing Your Own Style 163- The Keyboard 164- Understanding Music 165- Rhythm Training 166- Ledger Lines 167- <span class="toc_p3">Language and Style</span> 168- Moving Between Registers 169- Other Major Scales 170- Harmonizing Melodies 171- Scale Tone Chords in All Keys 172- House of the Rising Sun (A Minor) 173- Vocal Soloing 174- Microphones 175- How We Sing 176- Exercises 177- Vibrato 178- Movable Sol-Fa Syllables 179- Banks of the Ohio (With Chords) 180- Common Progressions 181- Microphones for Performing Live 182- Breathing 183- Matching Pitches 184- Key of C Major 185- Exercises 186- Microphone Technique 187- Posture 188- The Octave 189- Key Signatures 190- Studio Microphones 191- Posture and Movement 192- Warming Up 193- Learning to Sing 194- Looking After Your Voice 195- Pre-Hearing Notes 196- The Importance of Listening 197- Common Problems 198- Recording 199- Registers 200- Cycle of Fifths 201- Working With a Teacher 202- Notes on the Keyboard 203- Breath Control 204- Major Scales and Key Signatures 205- How to Read Music 206- Minor Scales and Key Signatures 207- Exercises 208- Blues Scale Summary

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