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GLOSSARY OF MUSICAL TERMS

Lesson 2/208 | Study Time: 5 Min
GLOSSARY OF MUSICAL TERMS

Accidental — a sign used to show a temporary change in pitch of a note (i.e., sharp#, flatb, double sharp!, double flat bb, or natural @). The sharps or flats in a key signature are not regarded as accidentals.

Ad lib — to be played at the performer’s discretion.

Allegretto — moderately fast.

Allegro — fast and lively.

Andante — an easy walking pace.

Arpeggio — the playing of a chord in consecutive single notes.

Bar — a section of music occurring between two bar lines (also called a measure).

Bar chord — a chord played with a left hand finger depressing all six strings on the guitar.

Bar line — a vertical line across the staff dividing the music into equal sections called bars.

Bass — the lower regions of pitch in general.

Chord — a combination of three or more different notes played together.

Chord progression — a series of chords played as a musical unit (e.g., in a song).

Clef — a sign placed at the beginning of each staff of music which fixes the location of a particular note on the staff, and hence the location of all other notes.

Coda — an ending section of music, signified by the sign v

Common time — an indication of * time — four quarter note beats per bar (also indicated by Q)

D.C. al fine — repeat from the sign V to the word "fine".

Dynamics — the varying degrees of volume in music, e.g., "piano" (soft) and "forte" (loud).

Eighth note — a note with the value of half a beat in * time, indicated thus 5 (also called a quaver).

Eighth note rest — half a beat of silence indicated thus:j

Enharmonic — describes a difference in notation, but not in pitch, of two notes.

Fermata — a sign( ? ) used to indicate that a note or chord is held to the player’s own discretion.

Flat — a sign (b) used to lower the pitch of a note by one semitone.

Forte — loud, indicated by the signG

Half note — a note with the value of two beats in * time, indicated thus: 1 (also called a minim).

Half rest — indicating two beats of silence, is written: g on the third staff line.

Harmony — the simultaneous sounding of two or more different notes.

Interval — the distance between any two notes of different pitch.

Key — describes the notes used in a composition in regards to the major or minor scale from which they are taken. For example, a piece "in the key of C major" describes the melody, chords, etc., as predominantly consisting of the notes, C, D, E, F, G, A, and B — i.e., from the C scale.

Key signature — a sign, placed at the beginning of each staff of music, directly after the clef, to indicate the key of a piece. The sign consists of a certain number of sharps or flats, which represent the sharps or flats found in the scale of the piece’s key.

Ledger lines — small horizontal lines upon which notes are written when their pitch is either above or below the range of the staff.

Legato — smoothly, well connected.

Lick — a short musical phrase.

Major scale — a series of eight notes in alphabetical order based on the interval sequence tone tone — semitone — tone — tone — tone — semitone, giving the familiar sounddo re mi fa so la ti do.

Melody — a group of notes of varying pitch and duration, and having a recognizable musical shape.

Metronome — a device which indicates the number of beats per minute, and which can be adjusted to any desired tempo.

Moderato — at a walking pace.

Natural — a sign (@) used to cancel out the effect of a sharp or flat. The word is also used to describe the notes A, B, C, D, E, F and G, e.g., "the natural notes".

Note — a single sound with a given pitch and duration.

Octave — the distance between any given note with a set frequency, and another note with exactly double that frequency. Both notes will have the same letter name.

Open voicing — a chord that has the notes spread out between both hands on the keyboard.

Pitch — the sound produced by a note, determined by the frequency of vibrations. The pitch relates to a note being referred to as "high" or "low".

Plectrum — small object (often of a triangular shape) made of plastic which is used to pick or strum the strings of a guitar, bass, mandolin or banjo.

Quarter note — a note with the value of one beat in * time, indicated thus 3 (also called a crotchet).

Quarter rest: h indicating one beat of silence,

Repeat signs — used to indicate a repeat of a section of music, by means of two dots placed before a double bar line.

Rhythm — the aspect of music concerned with duration and accent of notes.

Riff — a repeating pattern which may be altered to fit chord changes.

Semitone — the smallest interval used in conventional music. On guitar, it is a distance of one fret.

Root note — the note after which a chord or scale is named (also called "key note").

Sharp — a sign (#) used to raise the pitch of a note by one semitone.

Staccato — to play short and detached, indicated by a dot placed above the note.

Staff — five parallel lines together with four spaces, upon which music is written.

Syncopation — the placing of an accent on a normally unaccented beat.

Tempo — the speed of a piece.

Tie — a curved line joining two or more notes of the same pitch, where the second note(s) is not played, but its time value is added to that of the first note.

Timbre — a quality which distinguishes a note produced on one instrument from the same note produced on any other instrument (also called "tone color"). A given note on the guitar will sound different (and therefore distinguishable) from the same note on piano, violin, flute etc. There is usually also a difference in timbre between two instruments of the same type (e.g., two pianos).

Time signature — a sign at the beginning of a piece which indicates, by means of figures, the number of beats per bar (top figure), and the type of note receiving one beat (bottom figure).

Tone — a distance of two semitones.

Transposition — the process of changing a piece of music from one key to another.

Treble — the upper regions of pitch in general.

Treble clef — a sign placed at the beginning of the staff to fix the pitch of the notes placed on it. The treble clef (also called "G clef") is placed so that the second line indicates as G note.

Peter Gelling

Peter Gelling

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Class Sessions

1- INTRODUCTION 2- Everyone Can Sing 3- Note and Rest Values 4- Rests 5- Voice Types and Ranges 6- The Major Scale 7- Three Four Time Signature 8- The Eighth Note 9- Sounds Used in Singing 10- Dynamics 11- Slurs 12- Tones and Semitones 13- More About Major Scales 14- Keys and Key Signatures 15- The Eighth Rest 16- Transposing 17- Minor Keys and Scales 18- The Lead-In 19- Developing Your Sense of Pitch 20- Enharmonic Notes 21- The Triplet 22- 12 Bar Blues 23- Sixteenth Notes 24- Phrasing and Rubato 25- Six Eight Time Signature 26- Harmony Singing 27- Writing Vocal Parts 28- Chord Construction – Triads 29- Chord Inversions 30- Scale Tone Chords 31- More About Harmony 32- Secondary Triads 33- Minor Key Scale Tone Triads 34- Harmonies in Relative Keys 35- Seventh Chords 36- Jazz Singing 37- Articulations 38- Musical Forms 39- Form, Harmony and Dynamics 40- Singing With a Band 41- Performing in Public 42- GLOSSARY OF MUSICAL TERMS 43- Approach to Practice 44- Matching Pitches and Rhythms 45- Bar Lines 46- The Importance of Timing 47- How to find Your Voice Range 48- Octave Displacement 49- Chord Symbols 50- Eighth Note Rhythms 51- Vowels 52- Musical Use of Dynamics 53- The Tie 54- Sharps 55- Scale Degrees 56- Sharp Key Signatures 57- Syncopation 58- Get to Know You 59- Relative Major and Minor Keys 60- First and Second Endings 61- Interval Qualities 62- Accidentals 63- Swing Rhythms 64- Blues Singing 65- The Sixteenth Note Triplet 66- Simple and Compound Time 67- Banks of the Ohio (With Harmony) 68- Four Part Harmony 69- Double Sharps and Double Flats 70- G Major Chord Inversions 71- More on Chord Progressions 72- Primary Triads 73- Chord Functions 74- Chords in Other Minor Keys 75- Exercises 76- Which Notes to Use 77- Accents 78- Greensleeves 79- Nobody’s Fault But Mine – Harmonies 80- Bass 81- Overcoming Nerves 82- Listening 83- Vocal Range 84- Time Signatures 85- Referring to the Keyboard 86- Sol-Fa Syllables 87- Singing Songs 88- Diphthongs 89- Tempo Markings 90- Imitating Instruments 91- The Chromatic Scale 92- Major Scale Pattern 93- Flat Key Signatures 94- Syncopation Using Ties 95- Scarborough Fair 96- Intervals Distances 97- The Blues Scale 98- St James Infirmary (Version 2) 99- Interpretation and Improvisation 100- Twelve Eight Time 101- Harmony and Chords 102- Understanding Chord Symbols 103- Voice Parts on the Grand Staff 104- Rhythm Notation 105- Harmonizing Melodies 106- Voice Leading 107- Transposing in Minor Keys 108- Scale Tone Seventh Chords 109- Which Sounds to Use 110- Accents and Swing 111- Typical Blues Song Format 112- A Full Vocal Score 113- Drums 114- Eye Contact 115- Recording Yourself 116- Timbre 117- A Word About Pitch 118- The Bass Staff 119- Cue Notes 120- The Shaping of Vowels 121- Tempo Changes 122- Exercises 123- Flats 124- The G Major Scale 125- The Key Cycle 126- Identifying Eighth Note Rhythms 127- Identifying Intervals by Ear 128- Singing Scale Degrees 129- Call and Response 130- Repetition and Variation 131- Grouping Notes in Compound Time 132- The C Major Chord 133- Arpeggios 134- Writing Harmonies from Chord Charts 135- Melodies to Harmonize with Primary Triads 136- Practice Progressions 137- Harmonic Minor Scale Tone Chords 138- Extended Chords 139- Using Arpeggios 140- Ghost Notes 141- Learning Song Forms 142- Guitars 143- Stage Presence and Stage Craft 144- The Metronome 145- The Ultimate Melodic Instrument 146- When to Breathe 147- Exercises 148- Consonants 149- Exercises 150- Phrasing and Expression 151- Exercises 152- The F Major Scale 153- Major Scales in all Keys 154- Exercises 155- Chord Progressions 156- Major Key Triad Pattern 157- Melodies to Harmonize 158- Melodic Minor Scale Tone Chords 159- Developing Rhythmic Control 160- Rhythm Changes 161- The Whole Band 162- Developing Your Own Style 163- The Keyboard 164- Understanding Music 165- Rhythm Training 166- Ledger Lines 167- <span class="toc_p3">Language and Style</span> 168- Moving Between Registers 169- Other Major Scales 170- Harmonizing Melodies 171- Scale Tone Chords in All Keys 172- House of the Rising Sun (A Minor) 173- Vocal Soloing 174- Microphones 175- How We Sing 176- Exercises 177- Vibrato 178- Movable Sol-Fa Syllables 179- Banks of the Ohio (With Chords) 180- Common Progressions 181- Microphones for Performing Live 182- Breathing 183- Matching Pitches 184- Key of C Major 185- Exercises 186- Microphone Technique 187- Posture 188- The Octave 189- Key Signatures 190- Studio Microphones 191- Posture and Movement 192- Warming Up 193- Learning to Sing 194- Looking After Your Voice 195- Pre-Hearing Notes 196- The Importance of Listening 197- Common Problems 198- Recording 199- Registers 200- Cycle of Fifths 201- Working With a Teacher 202- Notes on the Keyboard 203- Breath Control 204- Major Scales and Key Signatures 205- How to Read Music 206- Minor Scales and Key Signatures 207- Exercises 208- Blues Scale Summary

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